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val

 

Posts: 800
Joined: Apr. 4 2007
From: London

Caña 

  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 9 2010 11:23:46
 
Ron.M

Posts: 7051
Joined: Jul. 7 2003
From: Scotland

RE: Caña (in reply to val

Good video, Val,,,,even if it is from Torremolinos!

One thing I loved about living in Spain was the way that the Spanish folk who were interested in this stuff absolutely threw themselves into it without a care.

The diff I see in the foreign "emulations" is that everybody is so PC and very careful to try to appear or sound "muy jondo" and cool.

(Sometimes like a caracterture of the actual thing.)

Some of those Spanish folk wern't actually that good technically, but had an endearing and "loose" way of doing it that absolutely sold it to you.

Anybody know what I mean here?

cheers,

Ron
  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 9 2010 11:56:10
 
johnguitars

Posts: 72
Joined: Jul. 27 2007
From: Michigan,USA

RE: Caña (in reply to val

Yes, it's like money talks and bull**** walks or.....as Zappa used to say, "is that a real poncho or a Sears and Roebuck poncho?". A little "Zen" thrown in. It is the living vs the dead etc..... Be here now and all that stuff.

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 9 2010 14:13:52
 
val

 

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 9 2010 15:09:27
 
Florian

Posts: 9282
Joined: Jul. 14 2003
From: Adelaide/Australia

RE: Caña (in reply to Ron.M

quote:

Good video, Val,,,,even if it is from Torremolinos!

One thing I loved about living in Spain was the way that the Spanish folk who were interested in this stuff absolutely threw themselves into it without a care.

The diff I see in the foreign "emulations" is that everybody is so PC and very careful to try to appear or sound "muy jondo" and cool.

(Sometimes like a caracterture of the actual thing.)

Some of those Spanish folk wern't actually that good technically, but had an endearing and "loose" way of doing it that absolutely sold it to you.

Anybody know what I mean here?

cheers,


no i dont ...its a double standard comment you couldnt make to anyone else other then people you know for sure are from outside spain, u have the confidence of knowing it cant be argued with, so you are right even if you arent...if the same individual was spanish trying too hard ...he would just be spanish doing what they do..but because you know hes not spanish..."hes over the top "

ever wanna win an eazy argument...mention "outsiders" and u won before anyone even looked at any details

the PC...comes from something...outsiders didnt invented, there was something there thay emulated to begin with

if they didnt you would say its not paying attention to tradition if they do its over the top emulators, ..theres no way of wining really ..thats double standards

...what i notice is that its always other outsiders who arent spanish themselfs that create all the double standards to begin with..

on the one tread you say, thats flamencoish, its not really paying any attention to tradition , not the "real thing" and on the next you might say...its over the top trying to be PC .

sometimes spanish are "caracterture" of the real thing.... i have seen enough spanish over the top trying too hard too ( any face expresion sara baras ever pulls is over the top and try hard jondo..shes got greate feet and is pretty but is just not grounded enough or heavy enough on her feet to pull off the real thing IMO..but thats just how i see it, other might see her diferrently)...so i know enough to know its more a question of personality and taste other then where u from..

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 9 2010 20:22:28
 
KMMI77

Posts: 1821
Joined: Jul. 26 2009
From: The land down under

RE: Caña (in reply to Ron.M

quote:

One thing I loved about living in Spain was the way that the Spanish folk who were interested in this stuff absolutely threw themselves into it without a care.

The diff I see in the foreign "emulations" is that everybody is so PC and very careful to try to appear or sound "muy jondo" and cool.

(Sometimes like a caracterture of the actual thing.)



Flamenco is a tricky art form as there are many aspects that border between beautiful expression and what could be considered ****y, crazy, or over the top etc. Try watching a flamenco dancer with the sound turned down. View the person, just looking at the physical and emotional behavior. It can look pretty strange and funny. The way we express ourselves comes down to our entire makeup, personal history and experiences. This goes for all people of all cultures and effects spaniards as much as foreigners.

Criticizing others on a personal level for expressing themselves in the best way they can, at that point in there lives is unfortunately considered normal in most of our societies. Unfortunately this is what inhibits our freedom and ability to express openly.It only perpetuates fear. I am as guilty of this as anyone and i am trying to learn more about it. Maybe people wouldn't feel the need to act cool and jondo if we didn't have so many rules, other people and boundaries to be afraid of.

I was watching Vicentes video.. Tangos del arco bajo on you tube. That is a classic example of acting cool and jondo. Death stares etc??? Although i love his music and playing i thought the video was a bit ??? There i go judging people again, and trying to act and sound cool and jondo

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 9 2010 23:08:59
 
por medio

 

Posts: 289
Joined: Nov. 15 2009
 

RE: Caña (in reply to KMMI77

Yeah we've all just gotta be ourselves. Journey of an art form is a bit like that eh?
  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 9 2010 23:21:47
 
Florian

Posts: 9282
Joined: Jul. 14 2003
From: Adelaide/Australia

RE: Caña (in reply to por medio

quote:

Yeah we've all just gotta be ourselves. Journey of an art form is a bit like that eh?


exactly...let other people worry about weather its try hard or fake ...all you can do is try the best you know how without feeling like you need to apologise...

we are all fakes ...or are we ? before they studie it just like us...even spanish people are as much fake as us...noone is born a flamenco master

and no gipsy kid is born with the wisdom and the conviction and life experiences and suffering of an old gipsy ...so every face expression must be a put on...how does one portray heartbrake and lost if u not old enough to have experienced it..

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2010 0:19:20
 
KMMI77

Posts: 1821
Joined: Jul. 26 2009
From: The land down under

RE: Caña (in reply to val

Performing or offering yourself up to the judgment of others is like approaching a hot girl in a bar. You can go over it and practice all you want but when you get there, there are to many variables that are out of your control. You can have the best intentions but come away looking like a noob!! Especially if you act cool and Jondo. Lol!

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2010 0:34:20
 
Florian

Posts: 9282
Joined: Jul. 14 2003
From: Adelaide/Australia

RE: Caña (in reply to KMMI77

HAHA ..wisely put maestro

quote:

is like approaching a hot girl in a bar. You can go over it and practice all you want but when you get there, there are to many variables that are out of your control. You can have the best intentions but come away looking like a noob!! Especially if you act cool and Jondo. Lol!

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thats why for that i think its a good idea to go up the second you notice her...dosent give you enough time to get scared or think of a stupid embarassing plan that will probably blow up in your face anyway

just naturally say.." ok i am here, what are your other 2 wishes ? "

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2010 0:35:58
 
KMMI77

Posts: 1821
Joined: Jul. 26 2009
From: The land down under

RE: Caña (in reply to Florian



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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2010 1:39:23
 
Ailsa

Posts: 2277
Joined: Apr. 17 2007
From: South East England

RE: Caña (in reply to val

quote:

We saw the girls up close in the bar - they looked no more than 15/16 and were, I believe, the guy's students.


Damned good for a student show!

I know exactly what Ron means. When I was at a festival in Senegal it was interesting to watch people get up and strut their stuff (bit like fin de fiesta - anyone can get up and dance a little solo). The Europeans who got up all did their best steps from their dance classes (me included), and the locals were all appreciative that we'd joined in. But the Africans who got up hardly did anything - just a little twitch here and there, really understated movements - and the crowd went wild! I guess they didn't have to try so hard, or maybe they had the equivalent of duende. Juju or mojo or whatever.

The only thing I get fed up about is when people pretend to be something they are not, pretend to have a skill they actually don't possess and then take money for it

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2010 2:01:18
 
Ailsa

Posts: 2277
Joined: Apr. 17 2007
From: South East England

RE: Caña (in reply to Florian

quote:

just naturally say.." ok i am here, what are your other 2 wishes ? "


nice Flo I'll remember that one.

But what would you do if she said "2. buy me a drink 3. get lost"

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2010 2:02:45
 
Ron.M

Posts: 7051
Joined: Jul. 7 2003
From: Scotland

RE: Caña (in reply to Ron.M

quote:

The diff I see in the foreign "emulations" is that everybody is so PC and very careful to try to appear or sound "muy jondo" and cool.


Before everybody goes nuts...

I wrote that quickly and without thinking too much.

I didn't mean that every foreign Flamenco artist is "emulating"!

I was only thinking of some of the YouTube things where it's so obvious that the person is totally busting a gut to be muy jondo and cool.

For example Florian certainly doesn't look like that in his Sol por Bul video.

It just looks and sounds good and natural to me.

Hope that clears things up!

cheers,

Ron
  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2010 4:30:43
 
Florian

Posts: 9282
Joined: Jul. 14 2003
From: Adelaide/Australia

RE: Caña (in reply to val

quote:

for example Florian certainly doesn't look like that in his Sol por Bul video


oh well thats ok then ...nah you right ...screw those emulators jk.


nah i jumped the gun a litlle because i am an outsider trying and i guess as self concious as the rest of us...so what looks natural to one person looks bad to another ...i dont know how it looks or how its precived...

but i know it was just a passing statement trying to state a spanish ability rather then outsiders inabillity


and i know that there is a point to what u saying too....and i understand it

i guess i missed a litlle argument with you and whenever i see the word "outsider" i get a bit paranoid too cause its either about me...or its about someone just like me...and it might as well be me

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2010 4:53:43
 
Ron.M

Posts: 7051
Joined: Jul. 7 2003
From: Scotland

RE: Caña (in reply to Florian

quote:

oh well thats ok then ...nah you right ...screw those emulators jk




What I was thinking about was the Spanish amateurs seemed to be less uptight and serious about it all than myself or other foreign students I knew there.
The young Spanish folk kinda turned it into more of a party and enjoyed themselves, while we were busy struggling to be authentic and jondo.

It was just a thought from a memory really...no big observation or deal.

cheers,

Ron
  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2010 6:03:46
 
NormanKliman

Posts: 1143
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RE: Caña (in reply to Ron.M

The important thing is to focus on the pleasure (and hopefully transmit that pleasure to whoever's listening/watching). Just like telling a joke or a story. Pleasure could be lots of things, even pain. Sometimes even narcissistic pleasure will work ("I look SO cool..."), but not usually. Everybody's different, but I think most of us will always be a little worried about how "authentic" our art is. But after a certain point you stop worrying because you just know that it's right whether someone likes it or not.

quote:

how does one portray heartbrake and lost if u not old enough to have experienced it..


Hi Flo, a lot of people feel that way, but I've never agreed with that idea because pain is pain and we're talking about reacting to pain with music, not with words or behavior. It's too easy for older people to dismiss younger people just because they haven't got the same experience. What about when a little baby cries because he's tired? Does it seem like he's faking it? Actually, sometimes babies *do* cry like that when they start to realize that it's a way to get attention, and the parents can tell the difference right away. Likewise, flamencos are usually pretty good at detecting sincerity, and not just in performances. But getting back to age and experience, there's probably something to what you're saying, but I don't think it has much to do with an artist's ability to completely focus on what he or she is transmitting. But I could be wrong.

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Be here now.
  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2010 8:35:48
 
Florian

Posts: 9282
Joined: Jul. 14 2003
From: Adelaide/Australia

RE: Caña (in reply to NormanKliman

Hi Norman nice to see you

quote:

Hi Flo, a lot of people feel that way, but I've never agreed with that idea because pain is pain and we're talking about reacting to pain with music, not with words or behavior


I dont know ..perhaps you are right..i havent given much thought to that topic until the other day when i used it as an example...but if you have had this conversation before then i assume you have given it alot of thought and perhaps even seen some good examples of it

i dont come acros enough examples to have a really informed view of the subject .....

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2010 16:53:52
 
NormanKliman

Posts: 1143
Joined: Sep. 1 2007
 

RE: Caña (in reply to Florian

quote:

nice to see you
Likewise!

Yes I've had this discussion before, but like I said most people contend that meaningful and artistic expression comes from experience (las vivencias). I think I even posted something to that effect on this forum in a thread about Caracol and younger singers. Of course I've got my contradictions, but I think this is a complex matter, maybe because of the typical "short vs. long term" kind of element.

Here's what I think. Big generalizations here, feel free to disagree:

Within each artist, there are two factors that make for an intense performance. The first is absolute commitment to the moment (deep concentration), and the second is extremely precise expression (because when timing, tone, etc. are slightly off it distracts the listener).

It seems that younger people are good at drawing on intense sensations and that older people tend to exercise constraint over those sensations. It doesn't mean that older people's fires have faded, but they've felt those sensations many times before and have learned to see beyond them while they're happening (keeping one's head).

So back to the analogy of crying, a baby's emotion and commitment to the moment might be deeper (short term), but a baby hasn't learned the discipline necessary to harness that depth and make it work over a period of time (long term). This is a "problem" in an art like flamenco, in which repetition plays a big part in artistic development: It's hard to keep things fresh when you have to repeat them a thousand times.

Just a few ideas that I hope will lead to further discussion.

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2010 23:15:46
 
Florian

Posts: 9282
Joined: Jul. 14 2003
From: Adelaide/Australia

RE: Caña (in reply to val

quote:

So back to the analogy of crying, a baby's emotion and commitment to the moment might be deeper (short term), but a baby hasn't learned the discipline necessary to harness that depth and make it work over a period of time (long term). This is a "problem" in an art like flamenco, in which repetition plays a big part in artistic development: It's hard to keep things fresh when you have to repeat them a thousand times.


thats is such an interesting point
and its true for everyone..

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 10 2010 23:42:46
 
Ricardo

Posts: 14828
Joined: Dec. 14 2004
From: Washington DC

RE: Caña (in reply to Florian

I started writing music when I was a kid. When i was about 15 or 16, even though I had not experienced much, and only bad thing really was heartbreak over chicks, the music I made even when I look at it now, was pretty deep and still relates to me as a middle age man.

I was kind of a serious kid, and in many ways I am much more immature now. For sure I am more outgoing and not affraid to show emotion then when I was young, but I just remember all those feelings when I was a kid. I think even though I have experienced some heavy stuff since then, it has not necessarily made me a more deep and emotional artist. I would say I am better of course then when I was a kid, but I play different music now and have new tastes.

But in terms of feelings and depth, I would be lying if I felt the older guy me has something more deep and important than the young version did. It is all relative, and even if you have not experienced first hand a painful events or life experience of some sort, does not mean you can't appreciate and understand and even FEEL what someone else has. That is the point of making an artistic statement, or telling a story or making a movie. To let others experience the feeling of someone else, be it pain or triumph.

Ricardo

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 11 2010 7:29:04
 
Ron.M

Posts: 7051
Joined: Jul. 7 2003
From: Scotland

RE: Caña (in reply to Ricardo

quote:

I would be lying if I felt the older guy me has something more deep and important than the young version did.


To be honest, I'd tend to agree myself.
I really don't think having huge traumatic experiences makes anyone a better artist.

I personally don't tend to see any serious music in terms of happy/sad etc.

Music, IMO doesn't work like that..(except pop music, which actually tries on purpose to recreate these kind of emotions)

It stimulates some other kind of sensation in my brain than the ordinary experiences.

Maybe sometimes I could say a piece is "profound" or maybe describe a great Buleria as "Wow!" or "Holy Sh*t!!"....but I can't really describe it any better than that.

I don't have the words.

I think that's why music IS music.

cheers,

Ron
  REPORT THIS POST AS INAPPROPRIATE |  Date Jan. 11 2010 8:08:04
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