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Hi ngiorgio, I thought using bloodwood for binding and backstrip would look good. I used some EVO fretwire on this build as well which has a dull gold look to it. Much harder than nickel/silver wire. Once I put a finish on the top the bright reds and greens in the rosette really get toned down. Glad you liked it. Here is a shot of the back.
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I refretted a classical for a friend with the EVO wire, neither of us could tell any difference. They will last a long time. I am putting Fustero tuners, silver with Gold Inlay, white rollers black MOP knobs on this one.
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Too many...LOL...3,5,7,9,12,15,17. Charlie Byrd had fret markers on the Contreras that he played, his were made from pieces of masking tape. I like gold MOP better. Not very traditional but I am building this one for me. The gold EVO frets will probably be viewed as a departure as well, but they will never wear out.
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