Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
|
|
Sabicas—Falseta from Bulería «Con un clavel»
|
You are logged in as Guest
|
Users viewing this topic: none
|
|
Login | |
|
Ricardo
Posts: 14979
Joined: Dec. 14 2004
From: Washington DC
|
RE: Sabicas—Falseta from Bulería ... (in reply to Paul Magnussen)
|
|
|
quote:
ORIGINAL: Paul Magnussen Attached, per discussion below. I’ve written it starting on 1. http://www.foroflamenco.com/tm.asp?m=198643&appid=&p=1&mpage=1&key=&tmode=1&smode=1&s=#199076 Actually what he did was remove a measure of music, not add strum. Measure 2 should be inserted between his measure 5 and 6 to have exact as sabicas. By removing the measure it all works, but personally would argue AGAINST the entire falseta being phrased this way. Why? Because buleria has more then one underlying feel, but for sure one could be "crossed" and really missing the bigger picture. My personal feeling is that this falseta starts on 10. There for sure are some sabicas falsetas that start on 1, but if you are tapping you foot 12,2,4,6,8,10 which for sure would work for this falseta from BEGINNING TO END....well this entire thing (including the missing measure of music) needs to start on 10 as a pick up to the 12. The golpes he does in measure 4 have the remate feel as well (7,8,9) vs as it reads (10,11,12) at least to me. you could imagine the end of the first line doesnt repeat and he could rasgueado on count 1 to close...but it should be 10. It is only my opinion, but often times the ins and outs of a falseta are important to study as they effect the overall feel of the phrasing. To me it is clear his only "mistake" was his starting point. I have heard him do falsetas starting on 4, and its really felt as 10 because he does a half compas before of strum. (up,tap tap, up GO!) If you learn this falseta starting on 1 as written it totally works out, but the entire feel (up to measure 6 at least) will not be what I think was the intent. Ricardo
_____________________________
CD's and transcriptions available here: www.ricardomarlow.com
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date May 8 2012 13:32:42
|
|
New Messages |
No New Messages |
Hot Topic w/ New Messages |
Hot Topic w/o New Messages |
Locked w/ New Messages |
Locked w/o New Messages |
|
Post New Thread
Reply to Message
Post New Poll
Submit Vote
Delete My Own Post
Delete My Own Thread
Rate Posts
|
|
|
Forum Software powered by ASP Playground Advanced Edition 2.0.5
Copyright © 2000 - 2003 ASPPlayground.NET |
0.0625 secs.
|