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20th century classical music and new flamenco   You are logged in as Guest
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Miguel de Maria

Posts: 3532
Joined: Oct. 20 2003
From: Phoenix, AZ

20th century classical music and new... 

If you like classical music, this article may interest you:

http://wwics.si.edu/index.cfm?fuseaction=wq.essay&essay_id=115960

It's an argument against modernistic, atonal music. The basic idea is that the trend in modern music in the early 20th century was away from tonal, C F G type consonances, and toward a more austere, dissonant sound. The theory was that the triad-based music of Beethoven, Mozart, Bach, etc., was a historical convention or accident and that new types of music could be just as good. Almost 100 years later, still no one likes it... What interested me were how the arguments for modern classical, about sophistication and progress and liberation, reminded me of the arguments for modern flamenco. If you don't like it, you are told that you just aren't sophisticated enough to understand it! There are differences of course, one being that new flamenco sells better than old flamenco, that being quite different than the situation of modern classical being profoundly unpopular among the public. Anyways, enjoy...
  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 28 2005 19:14:53
 
Ron.M

Posts: 7051
Joined: Jul. 7 2003
From: Scotland

RE: 20th century classical music and... (in reply to Miguel de Maria

Mike,
A recent BBC TV series featuring Howard Goodall, a British composer and music historian ventured into this with the view that a lot of 20th century Classical composers had really run out of ideas and it was really folk like the American jazz and (theatre/film) musical composers who took over the baton, in investigation into new ways of making music.
He brought it right up to the mid 20th century with the work of the Beatles, showing by examples, the technicalities of how that music worked so well, while classical music fell into the Doldrums.
My old boss in the University of Glasgow, who was a Classical Violinist came in one day and said "You know...I've been listening to a whole week of Bach....I reckon that man left practically nothing for others to upturn, save the odd few crumbs...."
Myself, I'm finding a renewed joy in a lot of older Flamenco after having gone through a couple of years of doubt that this stuff was over, in the past, finished...and for historical purposes only.
I think probably, in that respect I was just being a victim of fashion.

cheers

Ron
  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 28 2005 20:57:13
 
Escribano

Posts: 6418
Joined: Jul. 6 2003
From: England, living in Italy

RE: 20th century classical music and... (in reply to Ron.M

quote:

I'm finding a renewed joy in a lot of older Flamenco after having gone through a couple of years of doubt that this stuff was over, in the past, finished...and for historical purposes only.


Man, and you knocked me for listening to that old stuff

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 28 2005 21:49:44
Guest

RE: 20th century classical music and... (in reply to Miguel de Maria

quote:

The theory was that the triad-based music of Beethoven, Mozart, Bach, etc., was a historical convention or accident and that new types of music could be just as good. Almost 100 years later, still no one likes it...


I like it. I've always liked it and I will probably like it the rest of my life.

People use to much time on saying what is good and bad and do not listen enough. All arts need to be understood. You dont read Kafka as you read Harry Potter, you dont listen to Haydn the way you listen to Alban Berg, just like you dont look at Kandinsky the way you look at Breughel.
I listen a lot to classical music (more than flamenco) while I work. Maybe some 20 - 30 hours a week, and I enjoy all kinds of classical music. What turns me on at the moment is mostly rennaissance choral music like Monteverdi. (what a beauty) and 20th century orchestral music like Stravinsky, Bartok and Schostakowitch (what a power). I like Mozart, Haydn and all the other "easy listening" composers. But they do not turn me on the same way. They do not take me to the limits of my musical understanding.

I'm proud of being from a country and a lifestyle, where a lot of the tax money goes to devellopment of art, including modern composional music. I'm glad that a lot of people find it important to support artforms which are not what everyone like and that would die if they werent supported. If not we would just have Mozart and oldstyle flamenco (sorry) Nothing wrong with that, but what about progression and experimentation. Art is something alive and should never be "frosen"

Long live art and stop using comercial reasons for something being good or more important than others is what counts for me.

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 29 2005 8:42:52
 
duende

Posts: 3053
Joined: Dec. 15 2003
From: Sweden

RE: 20th century classical music and... (in reply to Guest

quote:

You dont read Kafka as you read Harry Potter


Thats for sure i´ve read only one by Kafka. "the Process" (i don´t know if thats the english name for it. ) And that book is the reason why i haven´t read another one by Kafka. ......

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This is hard stuff!
Don't give up...
And don't make it a race.
Enjoy the ray of sunshine that comes with every new step in knowledge.

RON
  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 29 2005 8:55:59
 
Miguel de Maria

Posts: 3532
Joined: Oct. 20 2003
From: Phoenix, AZ

RE: 20th century classical music and... (in reply to Miguel de Maria

You should read "The Trial." That's a good one. But I don't read Harry Potter, I prefer science, history, and self improvement (don't laugh!).

I have a hard time getting on past Bach... man. Bach is good.
  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 29 2005 15:45:15
Guest

RE: 20th century classical music and... (in reply to Miguel de Maria

Bach is wonderfull, I agree. Fantastic.

I think the Trial is the title of the book Henrik mentions. (processen på svenska?) It's one of the best book I've ever read, and it's considered to be one of the most important in the history of litterature. One of the books that has and still do influence in other writers. But it is a bit greyish brown I admit

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 29 2005 17:45:04
 
duende

Posts: 3053
Joined: Dec. 15 2003
From: Sweden

RE: 20th century classical music and... (in reply to Guest

The Trial made me sick ...i was in shock for days..that poor man, no book has ever gotten to me in such a way..very grey and very brown

_____________________________

This is hard stuff!
Don't give up...
And don't make it a race.
Enjoy the ray of sunshine that comes with every new step in knowledge.

RON
  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 29 2005 19:33:57
 
Escribano

Posts: 6418
Joined: Jul. 6 2003
From: England, living in Italy

RE: 20th century classical music and... (in reply to Guest

Nah, remember Hunger by Knut Hamsun, Anders?

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 29 2005 19:40:29
 
Miguel de Maria

Posts: 3532
Joined: Oct. 20 2003
From: Phoenix, AZ

RE: 20th century classical music and... (in reply to duende

If the trial makes you sick, don't get involved in the legal system here in the States. I could identify.
  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 29 2005 20:00:31
 
Ron.M

Posts: 7051
Joined: Jul. 7 2003
From: Scotland

RE: 20th century classical music and... (in reply to Escribano

quote:

Nah, remember Hunger by Knut Hamsun, Anders?


..or "The Naked Lunch" by William Burroughs?
All totally depressing books which should be read with some Leonard Cohen playing quietly in the backgound to lend some "aire" LOL!

cheers

Ron
  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 29 2005 20:04:59
Guest

RE: 20th century classical music and... (in reply to Miguel de Maria

Of course I remember "SULT" by Hamsun.

I've got another wonderfully depressing one. "Det röda rummet" (The red room) by August Strindberg. or L'age de Raison by J.P. Sartre.

Music for those books: No Future by the Sex Pistols

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 30 2005 8:35:00
 
Escribano

Posts: 6418
Joined: Jul. 6 2003
From: England, living in Italy

RE: 20th century classical music and... (in reply to Guest

Or, as I mentioned to you yesterday, my favourite depressing work of fiction, Dostoyevsky: Notes from Underground

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 30 2005 8:42:52
 
Miguel de Maria

Posts: 3532
Joined: Oct. 20 2003
From: Phoenix, AZ

RE: 20th century classical music and... (in reply to Miguel de Maria

Well, this thread has diverged.... that's okay!

If we want to talk about depressing fiction, I have a few, although they are not on the level of high literature:

A Fine Balance: by Mistral --set in India, this book builds up a family of lovable misfits, and then viciously destroys them. India, in itself, is sad.

The Spy Who Came in From the Cold: by (some British guy) --all I remember was that this was very depressing!
  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 30 2005 14:47:00
 
Ron.M

Posts: 7051
Joined: Jul. 7 2003
From: Scotland

RE: 20th century classical music and... (in reply to Guest

quote:

or L'age de Raison by J.P. Sartre.


My old boss, the one that I spoke about in a previous post was a Frenchman, and he and his family were actually friends with Samuel Beckett!
He disappointed me (when I was reading "Endgame") by telling me that Beckett was a really funny guy and a very pleasant and charming host when he stayed over at his place.
On the other hand he said he had met Sartre and said he was "an ugly man..in more ways than one".
Well that's the French for ya I suppose..LOL!

cheers

Ron

BTW Mike, The Spy Who Came in from the Cold was written by John le Carre, who also followed it by "Tinker, Tailor, Soldier, Spy" which was serialised on British TV, the lead character being played by an old washed up, out of date, good in his time actor called Alec Guiness.
It was one of the dreariest programmes going and the low point of the week.
Then Star Wars came along!
And Alec sung "God Bless America" every night before going to bed..LOL!
  REPORT THIS POST AS INAPPROPRIATE |  Date Jun. 30 2005 21:09:00
 
aloysius

Posts: 233
Joined: Apr. 7 2005
From: Adelaide, Australia

RE: 20th century classical music and... (in reply to Miguel de Maria

I feel there is at least one important difference between the modernisation of classical music and that of flamenco: Classical music moved from consonance to increasing dissonance. first liturgical chant was doubled a fifth below. Next thirds and sixths were added in. Eventually the dominant seventh was allowed, then an increasing array of more dissonant chords. Likewise jazz moved from a preference for sixth chords to seventh chords and on to increasingly altered chords.

Flamenco, on the other hand, is unique in that it seems to have employed dissonance from the very beginning, employing the most dissonant interval, the flattened 2nd (or flattened 9th). Why? I feel that this was a result of using a fretted instrument to accompany a microtonal singing style. If the singer is moving microtonaly between A and Bb, for instance, the best way to match this with a fretted instrument would be to play BOTH A and Bb together.
Just a thought - I may be completely wrong!
- Aloysius.

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  REPORT THIS POST AS INAPPROPRIATE |  Date Jul. 2 2005 14:01:49
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