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new picado exercises
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NormanKliman
Posts: 1143
Joined: Sep. 1 2007
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RE: new picado exercises (in reply to at_leo_87)
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Thanks for the feedback, guys. Please let me know how the exercises work out for you and if you come across any others that pursue the same goal (rest strokes in descending picado). I've been doing picado with bent fingers for a number of years, and I've known about the importance of rest strokes for a long time, but I seem to have overlooked how the two ideas work together in descending picado. For quite some time, I was focusing on using perfectly equal i-m fingerstokes (like the hammers of a piano), with one finger coming up when the other comes down. This works when picado is on the same string or is moving to a higher-pitched string, but not when moving to a lower-pitched string, because if the striking finger is raised, it will have further to travel to get to that next string. It's kind of like trying to run while goose-stepping! So instead of kicking up my fingers automatically like that (like a line of chorus girls!), I'm focusing on hugging the contour of the pattern across the strings. It looks to me like that's what Grisha is doing in that excellent picado video of his, as well as all the other greats, especially Paco and Sabicas. "Hugging the contour" is especially awkward when using the middle finger to move to a lower-pitched string. When I first noticed this, I thought it wouldn't make sense to develop it, but I've since realized that the situation comes up all the time in picado falsetas. Sometimes starting with one finger or the other will avoid the issue, but in plenty of other falsetas it's going to happen at some point regardless of the fingering. So it was a big revelation for me that i-m movements can not be homogeneous in the descent, but I think it's probably one of those elementary bits of knowledge that I should have learned when I started. I'm interested in any comments that anyone might have. Thanks in advance!
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Date Nov. 8 2009 22:49:15
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