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Gerardos course 2009
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henrym3483
Posts: 1584
Joined: Nov. 13 2005
From: Limerick,Ireland
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RE: Gerardos course 2009 (in reply to Güiro)
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quote:
What type of material does he cover? lots of falseta's and rasgueo patterns for the beginners/int, we did some stuff by solea stuff by sabicas mixed with some modern chords and some of gerardos personal material, guajiras, colombianas, an alegria silencio, a malaguena and tientos on the last day. quote:
Is it all technique or does he cover dance accompanyment and cante accompanyment as well? mainly falsetas and compas but they could be applied to both, learning to accomp dance is about you and your relationship to the dancers movements, no one can teach you it imo. the same goes for cante, however you can pick up alot from cds. quote:
Does he provide tab for the material he covers? nope, observe, listen, watch again and try to repeat. im still working some of the stuff out. quote:
Also, how difficult are the classes? I would assume that the classes are at the advanced level. i did the 1st advance class for giggles last year, never has my left hand or right for that matter felt so inept.
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REPORT THIS POST AS INAPPROPRIATE |
Date Nov. 24 2008 7:51:40
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Ricardo
Posts: 14852
Joined: Dec. 14 2004
From: Washington DC
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RE: Gerardos course 2009 (in reply to henrym3483)
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quote:
ORIGINAL: henrym3483 quote:
Actually, most of what you guys learned there, the solea falsetas moving into Cana por bulerias, solea escobilla type strumming, the Silencio for Alegrias, is all meant for use with dance, not so much for cante or guitar soloing. Ricardo cana por bulerias? i must have been more hung over than thought so the accelerando's or escobilla's are only for dance? im sure ive heard a silencio before the cantaor sings somewhere. That solea falseta that speeds up into bulerias rhythm. It starts on the D string, 2,3,2,3 then g string, 0,2,0, then d string 3,2,3, etc. That whole thing is the typical lick you play for the dancer's escobilla when they dance Caña or Polo. Silencio only happens in the dance, the singing that CAN come right after that (doesn't have to you can go into escobilla) is usually the colatilla type melody of alegrias or Romeras or whatever. It is a Cantiñas melody, often the one used for the intro "tiri tiri tran tran". Oddly, a lot of dancers call that little section of the dance the "Castellana" section. Make any sense? Not to me either. Gerardo just gave a mixed bag of usefull stuff, and arranged it in a way so the students could perform it all together for the last day's recital.
_____________________________
CD's and transcriptions available here: www.ricardomarlow.com
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REPORT THIS POST AS INAPPROPRIATE |
Date Nov. 25 2008 10:02:01
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