Welcome to one of the most active flamenco sites on the Internet. Guests can read most posts but if you want to participate click here to register.
This site is dedicated to the memory of Paco de Lucía, Ron Mitchell, Guy Williams, Linda Elvira, Philip John Lee, Craig Eros, Ben Woods, David Serva and Tom Blackshear who went ahead of us.
We receive 12,200 visitors a month from 200 countries and 1.7 million page impressions a year. To advertise on this site please contact us.
|
|
Ligado
|
You are logged in as Guest
|
Users viewing this topic: none
|
|
Login | |
|
JBASHORUN
Posts: 1839
Joined: Jan. 23 2005
|
Ligado
|
|
|
I have to admit that my ligado isn't great... it sounds quite weak and quiet, and its tricky to do it fast aswell. I was familiar with ligado (or should I say "legato") from my electric guitar days. I found it slightly easier on an electric guitar because of the amplification... even if your legato is weak, the pickups and amp amplify the sound, and make it less noticeable that your technique isn't perfect. But to be honest, even on the electric guitar my legato needed much improving, compared to the pros. I would like to know if anyone can advise me on how to improve my ligado. perhaps through technical advice, and maybe some short exercises to do. I couldn't find any ligado exercises in my GM vol.1 tuition book. But I did find one or 2 in the Juan Serrano book. They were quite boring, chromatic ones, and with no instructions to accompany the exercises. The sound I'm after is the "old school" ligado that is strong, yet fast and fluid. By guys like Sabicas (and also PDL and Serranito on the older albums). Any help would be appreciated! Thanks, James
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date Sep. 19 2006 16:21:46
|
|
ToddK
Posts: 2961
Joined: Dec. 6 2004
|
RE: Ligado (in reply to JBASHORUN)
|
|
|
I could be wrong, but im gonna assume, that you mean consecutive pulloffs and hammer on scales, etc... Doing it on electric, and on nylon, are 2 entirely different techniques almost. You can totally get away with alot more on electric. For nylon string, the fingers have to be more curled, so you use the tips of the fingers. Work your hammers and pull offs meticulously with the metronome. Very slow, and very clear. Really examine the way your pulloff from the string. It actually doesnt take much force, but it takes time to find the right angle. I think if you really focus on it, you can get it down. I really think this type of exercise can help your playing all around. Being able to do strong clear hammers and pulls will obviously make everything you play sound stronger. I used to throw this at my students. Somebody would tell me, "i want to play this scale run faster, but my right hand is slowing me down. If i could only get my right hand as fast and accurate as my left, i'd be rolling!" Then i would ask them, to do the run using only hammers and pulloffs. 99 percent of the time, they are unable to make it happen, and they suddenly realize, there's more to it, and they're not where they thought they were. Some get discouraged. Others lock themselves in a room for a year, and come back blazing. It really just comes down to motivation.
_____________________________
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date Sep. 19 2006 17:14:41
|
|
Miguel de Maria
Posts: 3532
Joined: Oct. 20 2003
From: Phoenix, AZ
|
RE: Ligado (in reply to JBASHORUN)
|
|
|
J, I've learned half the stuff I know about practicing from Todd, so all I can really do is reinforce what he said. I practice my slurs (ligado) every day, 2nd thing (after some light rasgueados to warm up). As Todd said, it is all about focus. When you practice, do you find your mind wandering? Do you get distracted by outside sounds, etc? Are you zooming ahead to thinkinga bout playing like Paco? These are some things that get in my way when I practice. If you really get detail-oriented and notice every little thing, you will progress very quickly. There's a quote...a friend sent it to me: >>>>With what attentive courtesy he bent >>>>Over his instrument; >>>>Not as a lordly conqueror who could >>>>Command both wire and wood, >>>>But as a man with a loved woman might, >>>>Inquiring with delight >>>>What slight essential things she had to say >>>>Before they started, he and she, to play. ___Francis CornfordMore art >>>>that hides Art this is how you should pay attention to your guitar.
_____________________________
Connect with me on Facebook, all the cool kids are doing it. https://www.facebook.com/migueldemariaZ Arizona Wedding Music Guitar
|
|
|
REPORT THIS POST AS INAPPROPRIATE |
Date Sep. 19 2006 21:25:51
|
|
New Messages |
No New Messages |
Hot Topic w/ New Messages |
Hot Topic w/o New Messages |
Locked w/ New Messages |
Locked w/o New Messages |
|
Post New Thread
Reply to Message
Post New Poll
Submit Vote
Delete My Own Post
Delete My Own Thread
Rate Posts
|
|
|
Forum Software powered by ASP Playground Advanced Edition 2.0.5
Copyright © 2000 - 2003 ASPPlayground.NET |
6.054688E-02 secs.
|