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Keeping right hand I & M economical?
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at_leo_87
Posts: 3055
Joined: Aug. 30 2008
From: Boston, MA, U.S.A
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RE: Keeping right hand I & M economical? (in reply to Reinhart)
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quote:
Yes im speaking about Picado sorry, ok awesome i think i got it, so when Pushing down with I i then basicly move my M up and then down to mute the high e string right? But you cant play scales like this very fast right . . ? only open strings for practicing economical movement for the right hand? well, if you think about it, you have to move up your M finger to play after you play with I anyways. so do it one move. it's the same concept as retracting the other fingers while playing an I upstroke in continuous rasgueados so that they're prepared to strike next. while you're striking, you're also preparing. this will economize your movements enabling you to play faster and with more ease and control. when you play up to speed, you wont notice the stacatto effect as much. i remember when i first started practicing this way, planting the finger ready to play next felt like a conscious effort. but now it just feels like all i have to do is let go and it defaults back to playing position. i would give this a try with open strings so that you dont mistakenly use your left hand to create the staccato effect, but eventually, do it with everything, scales, runs, etc.
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Date Aug. 12 2010 20:01:20
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at_leo_87
Posts: 3055
Joined: Aug. 30 2008
From: Boston, MA, U.S.A
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RE: Keeping right hand I & M economical? (in reply to Reinhart)
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i should have just found some ricardo quotes from the start quote:
One "secret" I discovered for keeping the fingers from moving too much, is to practice stacato with the right hand. Doesn't have to be a scale necessarily, but any melody you play with i-m. The idea is to plant the finger on the string first. When alternating fingers,after one finger plays, the next finger comes in REALLY quick and mutes the string in the "ready" position. If you play 8th notes for example (BING BING BING), the muting happens in rhythm like a 16th note rest, between each 8th note (BIP BIP BIP). In effect, you are moving your fingers twice the speed necessary to prepare each stroke. If you watch your hand in the mirror, you will be surprised how efficient your movements look after practice stacato. Also you will notice you don't need to play hard to make it loud.
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Date Aug. 12 2010 20:23:04
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