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Best piece in each Palo
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Ricardo
Posts: 15153
Joined: Dec. 14 2004
From: Washington DC
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RE: Best piece in each Palo (in reply to carlos soto)
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quote:
I just got Jucal of G.Nunez and Trafalgar is one of the best(to my taste) bulerias ever. Yeah one of my favorites too, and maybe one of his favorites to play live. I always felt it was more like a classical piece until I saw him play it in my face, with so much strength, drive, and jerez flavor. These things don't always come through on a recording. Anyway, this type of bulerias is in a genre all its own, like Escudero's Impetu, Moraito's Vals-Buleria, and many other similar pieces where the rhythm and melody is maintained by arpeggios mainly. In fact there is a little quote in Trafalgar from Escudero's Impetu that you might notice. Anyway, for me, the best versions or "standard" of each palo can be found on the successive recordings of Paco de Lucia. But ignoring that, there are some classics "hits" by other players (solo guitar I am talking about). Rondena -Ramon Montoya Rondena (modern)- "Oracion" by Manolo Sanlucar Zapateado-Sabicas (en re) Minera-Tomatito Siguiryas-Nino Ricardo Siguiryas(modern)-Nunez "Remache" low B tuning. Solea por Bulerias-Nunez "Plaza de Arenal" Solea por Bulerias (mi bemol)-Vicente Amigo Taranta-Vicente Amigo Fandango de Huelva-Rafael Riqueni Alegrias (en Re)-Tomatito "La Ardila" Columbianas-Tomatito Tanguillo-Nunez Solea-Chicuelo Granaina-Sabicas Granaina (modern)-Amigo/Nunez, can't decide. For me, the different tonalites of bulerias give each a different "aire". BULERIAS por medio-Moraito, Tomatito (Tio Nino Miguel), Enrique del Melchor La menor-Sabicas C#-Vicente Amigo "Mandaito" mi bemol-Nunez "Jucal" Por Rondena-Nino Miguel Por Rondena (modern)-Manolo Sanlucar "Tercio de Vara" (Nunez has 2 good ones also) Classical or Waltz style-Escudero's "Impetu" Classical/waltz (modern)-Nunez "Trafalgar", but also "Los Cano de la Meca", "amor de dios", "suite de la golondrina", and "Siempre es Tarde" by Nunez are great pieces also in this style. I'd say that is his forte. Ricardo
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Date Nov. 29 2005 19:21:00
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RE: Best piece in each Palo (in reply to carlos soto)
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quote:
So say here what have been the best piece that you have heard so far in each Palo. When you said the best piece, everbody assumed it was the best guitar piece. I suppose I go on a bit about this, but flamenco is cante, no? What about Tomás Pavón, singing "Tengo el gusto tan colmáo", especially the last letra, soleá de Frijones. Acompañado a la guitarra por Melchor de la Marchena. Sorry folks, just a little rant. Sean
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Date Nov. 29 2005 20:59:26
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Ricardo
Posts: 15153
Joined: Dec. 14 2004
From: Washington DC
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RE: Best piece in each Palo (in reply to carlos soto)
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quote:
When you said the best piece, everbody assumed it was the best guitar piece. I suppose I go on a bit about this, but flamenco is cante, no? What about Tomás Pavón, singing "Tengo el gusto tan colmáo", especially the last letra, soleá de Frijones. Acompañado a la guitarra por Melchor de la Marchena. Sorry folks, just a little rant. Well, we assumed it was not the best of cante for each palo, since YOU did not start the thread. And I assumed it was not the best danced palo, since dancing is not really music (footwork can be). But even still, my list has SOLO GUITAR specified. So Sean, rather than "rant" , why not put your own definative list of the best CANTE version of each palo? Sorin, it is called "Caminillo Viejo" from "Barrio Negra". Ricardo
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Date Nov. 30 2005 20:20:03
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RE: Best piece in each Palo (in reply to Ricardo)
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Vale Ricardo: Seguiriyas Manuel Torre o Tomás Pavón: A clavito y canela Terremoto: De Santiago y Santa Ana Martinete/debla Tomás Pavón: En el barrio de Triana Soleá De Cádiz: Juan Villar, Cante profundo de Juan Villar De la Serneta: Fernanda de Utrera De Joaquin de la Paula: Manolito el de la María De Frijones: Tomás Pavón Soleá apolá: Fosforito/Paco Bulerías de Cádiz: Chano Lobato Bulerías de Jerez Terremoto Fandangos Hay un sinfín, pero: José Cepero Niño de la Gloria: 2 estílos personales Terremoto: Que la besara en las manos José Millán: Fandangos de Macandé, La Calle de la Botíca Fandangos de Huelva Paco Toronjo: cualquier Camaron: Calle Real de Alorno Alegrías de Cádiz José Millán: La Calle de la Botíca Romeras Niño del Mentidero: Bellos lugares de Cádiz Malagueñas de Mellizo Rancapino Tientos/tangos Manolo Vargas: cualquier María Vargas/Paco: Cuando por la calle va Camaron/Paco: Un toro bravo en su muerte Levante Antonio Piñana: Antología del cante minero y levantino Peternera Camaron/Paco: En la provincia de Caí Rafael Romero: Soy como fiel peregrino Farruca María Vargas: Curro Belén Serrana Rafael Romero: Yo voy cantando Granaína Estrella Morete: Mi cante y un poema Mariana Encarnación Marin, La Sallago: De Cádiz a Triana Tanguillos de Cádiz Pericón: Subasta de cuadros antiguos Villancicos flamencos Toma Castaña, vol 1: A tender Sean
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Date Dec. 1 2005 13:43:06
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Ricardo
Posts: 15153
Joined: Dec. 14 2004
From: Washington DC
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RE: Best piece in each Palo (in reply to Stoney)
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quote:
ORIGINAL: Stoney I just stumbled on this thread. I don't know about best and I won't go into it Palo for Palo but I vote that "Mediteranean Sundance" should definitely be declared the Holy Grail of all Rumbas. Just as Juan Martin gave so many their start with his instructional books, the Paco - Di Meola - Mcglaughlin album(s) stole a lot of fire from the Metal Shredders and converted them to nylon string players. 2nd place for best rumba "Entre dos Aguas." Stoney Dude, the original Med sun IS Entre dos Aguas. Al di just composed that goofy intro, that's all, then they jam over Entre. Same form, am7 bm7 am7 B7 is al's part, then paco solos over Em,D,C,B. They don't even do the normal entre ending they go back to Al's goofy intro riff. Unless you mean the live version which is a combo of Rio Ancho and Entre, again bookended by Al Di's signature riff. And Al's presence sort of kill the "rumbaness" of it cuz of how he does like rock guitar strumming. It is a fusion really. A cooler fusion they do is "Chiquito" where they jam over Alegrias compas on some weird modern chord progression. The first true flamenco jazz "fusion" IMO. Ricardo
_____________________________
CD's and transcriptions available here: www.ricardomarlow.com
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Date Jan. 14 2010 10:03:22
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