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Lubricating/'doping' wooden pegs?
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cosimojack
Posts: 34
Joined: Dec. 15 2007
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RE: Lubricating/'doping' wooden pegs? (in reply to britguy)
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I follow this method that Bear Meadow dulcimer's Dwain Wilder recommends: The best dressing compounds I've found to do this job are Hill's Peg Dope and Hidersine's HiderPaste (both commonly available at stringed instrument shops). First gob the Hill's Peg Dope on the peg lands and work it in by spinning the peg while you apply a polishing pressure with your fingers. You should really heat it up, so it flows a little and works into the wood. Then apply more Hill's, and this time put the peg with the gobs of dope on the lands into the peg's hole in the peghead, coating the holes. Turn the peg vigorously to work the dope into the insides of the hole. Now re-apply more Hill's on the peg and work it into the lands again, raising the heat once more. The object here is to work a generous amount of the peg dope into the wood of the peg and the inside of the hole in the peghead. It isn't necessary to end up with blobs of peg dope everywhere, but don't be sparse in working it into these areas. Next, wipe off the excess and scribble a few marks of HiderPaste on the peg lands, insert the peg into the peghead and turn vigorously to distribute it. Withdraw, add a final few scribbles to the peg lands, insert and twist. Now your peg should both hold tuning and turn easily at concert pitch. In the future, when your pegs need conditioning, put on a little Hill's Peg Dope if they are sticking and need to move more smoothly. And if they are getting bad at holding a position and slipping too much, put on a few marks with the HiderPaste. After stringing up and bringing the instrument to concert pitch, make sure the pegs are still set well and run smoothly. You're done!
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REPORT THIS POST AS INAPPROPRIATE |
Date Sep. 14 2011 12:50:39
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C. Vega
Posts: 379
Joined: Jan. 16 2004
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RE: Lubricating/'doping' wooden pegs? (in reply to britguy)
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Another point to consider is how the strings are wound on the pegs. As the string approaches proper pitch, or close to it, the final windings should be at the lower part of the peg shaft that protrudes from the front of the head, nearly touching the face veneer. If it the string rides higher up on the shaft it has a tendency to pop the peg loose as well as decreasing the break angle of the string over the nut. The way the string is wound on the peg shaft also holds true for violins, lutes, dulcimers, etc. I've seen many amateur bowed string players, lutenists, etc. (and more pros than I care to mention) wrestling with their tuning pegs only to notice that the final windings of the strings are in the middle or to the wrong side of the of the pegbox. If the string is wound so that the final windings are close to the pegbox wall (on the knob side of the peg!) as the string approaches its correct pitch, the problems are greatly reduced. Don't go pushing too hard trying to get a slipping peg to seat. The wedging action of the peg taper can crack the head. I've seen it happen. Another problem that is frequently encountered, particularly on older guitars, is the taper of the pegs and mating holes in the head. It is often a rather steep 1:20 taper which the violin crowd has all but abandoned in favor of a less steep 1:30 taper which is much less prone to slipping and popping loose. I have a signed 1973 Manuel Contreras blanca that has pegs with the older 1:20 taper (a number of guitar makers still use them) but fortunately they were well fitted and I've had no problems with them. However, should I ever need to replace them due to wear or whatever it will be with 1:30 taper pegs even if it means bushing the holes and re-drilling and reaming.
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REPORT THIS POST AS INAPPROPRIATE |
Date Sep. 14 2011 15:38:01
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