Ricardo -> RE: El Tempul in detail (Mar. 8 2008 11:54:02)
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quote:
ORIGINAL: Ron.M quote:
You know the funny thing is I hear it more as if hes counting it as 123456 Yes, in twos.. 1 2 3 4 5 6 Think in twos, not in triplets IMO. Let the triplets happen, but don't think about them if you know what I mean. [:D] cheers, Ron I dont' think he meant the counts of the compas Ron, rather he describes the phrasing of the rasguedo as sextuplets rather than triplets...hence the golpe every other round. Meaning i with golpe is 1, i up is 2, m or a is 3, i down is 4, i up is 5, 6 is a or m, then you start again with i golpe on the next group of 6. I just want to add again the golpes are NOT every other round of 6, or in "twos". They change points in the phrase. 12,2,4,6...7....10,.... 1, (4 he misses I think or hits very light), and 6 he leaves open to prepare for the other rasgueado (pai). My version I hit 12, 7, 1, thats all I could get in at tempo, basically the starting points. My slow version I do what I believe is the intended technique. About iim, it was one of my early suggestions, but after some work on it I ruled it out because the m finger gets a darker sound than the a finger because of the strings it targets. At least the way I do it. At first it seemed more efficient to get the a finger prepared to golpe, but my iia fairly quickly gained speed on my iim, and had a brighter sound like Paco's, so that is what I am sticking with. YOu could be right of course and I should work on the m finger to target more treble strings, but like I said the way I do the technique normally, I found myself favoring iia. Ricardo
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