RE: Barbarossa Guitars (Full Version)

Foro Flamenco: http://www.foroflamenco.com/
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- - - RE: Barbarossa Guitars: http://www.foroflamenco.com/fb.asp?m=86272



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Pgh_flamenco -> RE: Barbarossa Guitars (Feb. 20 2008 3:34:20)

I just emailed Jeff Sigurdson for information on his guitars. Maybe he'll post here or respond to this request. There isn't much on his website that I could find.




Patrick -> RE: Barbarossa Guitars (Feb. 20 2008 7:20:05)

Aaron,

Same problem as well. I have been using Word to compose. That way if it doesn't post, I still have a copy.




TANúñez -> RE: Barbarossa Guitars (Feb. 20 2008 7:26:05)

quote:

BTW, love your site--all the information, pictures and sound clips. I know you build guitars and think it would be great if you shared pictures and sound clips of your own creations on the Foro.


Thank you very much Pgh_flamenco. I've posted a few photos of some guitars I've built in the past. I'll have to do a search to dig up the thread as I don't recall what I titled it.

I'm finishing my latest guitar and I'll be posting a photo diary of it's construction soon.




Pgh_flamenco -> RE: Barbarossa Guitars (Feb. 20 2008 14:16:17)

quote:

I'm finishing my latest guitar and I'll be posting a photo diary of it's construction soon.


I'm looking forward to seeing this.

Below is some biographical material Jeff Sigurdson prepared for a Japanese magazine. I'm going to request information on the materials he uses for his basic blanca and negra as well as pricing information. He's looking for pictures and will send them to me if/when he finds them.

quote:

-Started building electric guitar bodies in high school shop class grades 11-12
-1st year of Douglas College musical instrument construction course1989-90, 2nd year 90-91, under the guidance of Micheal Dunn who taught traditional Spanish building techniques
-while at Douglas College he fell in love with the different body shapes and was introduced to the artistry of inlay work and lute building.
-Being an avid woodworker in highschool, thought the idea of being able to earn a living from working exotic woods by hand instead of having to build particle board cabinates with machines was a gift from heaven.
-After 20 months of Douglas College he worked at Lee Valley Tools for 1 year, a prestigeous tool store,taking advantage of his staff discount purchased as many guitar building tools as he could also using the small shop space in the back after hours.
-In 1992 began working at Larrivee guitar factory, considered small as compared to today there were only 18-20 employees
- Started working in body assembly where he learnt to shape the braces by hand from rough stock to gluing he assembled 4-6 bodies a day
-As well as doing binding & purfling he took advantage of the off hours to work in the shop on his own projects.
-After 2 years of body building he was taught final neck fit, handfitting the finished neck to the finished body, a very demanding job utilizing all the skill he had amassed from his experience at Douglas College. he did this job for 6 years
-Jeff quit working at Larrivee and began building his own guitars in 1999and has never looked back.
- Around the time Jeff started working at Larrivee Guitars in 1992 he also used to visit the shop of Geza Burghardt a well known Hungarian luthier, although never getting any any official training from him, he studied as much information as such as the fine art of French Polish and the V-joint(a traditional neckshaft to headstock joint)
-Today with the traditional Spanish building techniques he learnt from Micheal Dunn he builds flamenco and classical guitars, and the experience from Jean Larrivee builds steel string guitars that are destined for the recording studio and stage




cathulu -> RE: Barbarossa Guitars (Feb. 20 2008 16:33:56)

Keep it coming, post what you find. He is in my neck of the woods - so if I ever get another guitar, will look at him.




kovachian -> RE: Barbarossa Guitars (Feb. 20 2008 19:38:35)

One could possibly find alot of info on a luthier simply by googling his/her name. By googling "Jim Blilie" (the apostrophes are important here, include them in the search bar), I found one guitar so far that was sold
Sold Barbarossa Dreadnought

Sometimes you might info that you weren't even looking for, but is nice to know anyways. Such is the case here and you find that Jim takes great pride in his engineering job and lutherie hobby. Other luthiers have definitely got respect for the guy. I realize that some people might think that the cold hard and lifeless world of science is in stark contrast to the realm of ‘Ye Olde Worlde’ romanticism, but at least having a grasp on the principles of guitar construction can't hurt.[:D]
Seattle Luthier's Group convention
Read the quote at the left of the page

Now do a search for "Jeff Sigurdson".
Sigurdson Flamenco Negra with pics
Another that was for sale
Another
And another

There's apparently a Jeff Sigudson in Ohio but I think that might be a different guy.




Pgh_flamenco -> RE: Barbarossa Guitars (Feb. 21 2008 9:16:23)

Jeff Sigurdson replied with some pictures and a short note. His Flamenco guitars are based on a 1951 Barbero design. He didn't include a materials list or any pricing information. I'm posting all five pictures he emailed to me here.



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Pgh_flamenco -> RE: Barbarossa Guitars (Feb. 21 2008 9:17:27)

Sigurdson guitar



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Pgh_flamenco -> RE: Barbarossa Guitars (Feb. 21 2008 9:20:27)

Sigurdson guitar



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Pgh_flamenco -> RE: Barbarossa Guitars (Feb. 21 2008 9:24:01)

Sigurdson guitar



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Pgh_flamenco -> RE: Barbarossa Guitars (Feb. 21 2008 9:28:37)

Sigurdson guitar



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Pgh_flamenco -> RE: Barbarossa Guitars (Feb. 21 2008 10:29:57)

Thanks for looking for this information, kovachian.

quote:

I realize that some people might think that the cold hard and lifeless world of science is in stark contrast to the realm of ‘Ye Olde Worlde’ romanticism, but at least having a grasp on the principles of guitar construction can't hurt.


I would expect an engineer to possess an excellent skill set when it comes to design, using tools, precise measurement, research, etc, and wouldn't be a bit concerned about Jim Blilie being an engineer. I like the way his Flamenco guitar looks and he is following Barbero's 1951 design. My preference is always to play the guitar personally and barring that I would at least want to hear a recording of the instrument.

Zavaleta's is a great place to hear sound clips of high-end Flamenco guitars.




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