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Ricardo -> RE: solea por buleria part 2 (Feb. 14 2008 19:10:56)
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quote:
ORIGINAL: hassurbanipal
okay guys,
question number two
You have the llamada, starts on 1, ends on 10 over two compasses?
so you start again after it on 1?
even when the dancers start on twelve
because in buleria you stop at 10 and begin again on 12, not so in solea por buleria?
and does anyone have good llamadas in your closet you want to share? I need some good ones badly.....
thanks
This whole thing about "starting on..." whatever beat, is confusing the issue. The rhythm is constant regardless, so it is not about STARTING, it is about WHAT you do on a certain beat. You don't need to shift your internal feel because of llamada or whatever. I dont' care what you think "starting" means, I find it important to GIVE the accent "12" regardless. If that means a hard accented chord, fine, other times it is just a golpe. But that is the head and strong beat. Llamadas that start on 1 are just springing off of that accent. BOOM, taka taka taka taka TAH!....etc.
So if you STOP on 10, again you can give a chord or not on 12, but the important thing is to convey the feeling of WHERE the 12 is, because the singer too will be springing off of that. I just think "BOOM" for 12 and 6 regardless of what is happening. By "boom" I mean it is a heavy weight inside that grounds the entire thing, usually a bassy golpe conveys this.
Hope that helps.
Oh llamada 2 compases:
just an A chord:
BOOM, takataka takataka TA TA__uh ta ti boom, takataka, takataka, takataka TA TA__TA BOOM.
Bb9#11 chord:
Brrrap, Brrrap, BrrrapPAH__uh ta ti boom, Ta-ka-ta,Ta-ka-ta, Ta-ka-ta, (A chord)TA! (rest) BOOM....
You can do any rasgueados you want to make those rhythmic sounds. "boom" is just a heavy golpe. If cante is coming I will hit a nice loud A chord on that last "BOOM".
Ricardo
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