Stu -> RE: "Coupling" issue - serious request for help (Jan. 11 2008 2:38:11)
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Hi Ailsa, I posted this advice to someone struggling with Pimami arpegios, but can be applied to Pima too if thats your trouble spot. quote:
Hey, another good practise technique for this (as well as everything else) is overlapping/underlapping. Its helped me a great deal especialy with my continous rasgueado. basically it goes like this...... for arps... .....If you are playing pimami, pimami etc,...then you have six strokes. For underlapping, Play very slowly and precisely and count each stroke as you go. Count in fives. 1,2,3,4,5,1,2,3,4,5 etc and stress every stroke on the count of 1. So you'd end up with.... PimamIpimaMipimAmipiMamipImamiP......etc etc 1234512345123451234512345123451.....etc etc You are basically changing where the stress is everytime. The stress moves in the opposite direction of the apr. For overlapping you just count in sevens and again stress every count of one. this time the stress moves in the same direction as the arp. Does this make sense?? It may sound confusing here but once you try it you will see how it works and its fairly straight forward. Once you've cracked it its good to use on other techniques aswell. Stu In your case, if you are doing four stroke arps then you would count in 5s to overlap and 3s to underlap. Try it if it makes sense, if it doesn't I'll show you on Sunday Stu
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