Tenshu -> RE: carlos saura's flamenco (Mar. 27 2004 14:06:28)
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Oh, man, Ron, I hear you... Barullo singing an amazing copla... No me hagas desprecio gitana que yo soy Santo y bueno gitana yo me voy con mi madre gitana nada más que quieres dinero gitana ya no me voy contigo gitana The girl takes her place to return to her seat. The first dancer, already seated, fills in two beats with his upper body in some sort of spasm(in compas!). And when she returns, every single man/woman present returns with her. Take another look at that buleria, but instead of looking at the protagonist, take a look at the guys in the background. It's like they're one entity, one organism... Damnit, just TYPING about it gives me shivers.
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