Ricardo -> RE: Volume and lowering the action (Nov. 17 2007 21:34:21)
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IMHO opinion, a VERY good setup will be some 7 - 8mm string above the soundboard at the bridge, 8 - 9 mm at the soundhole and 6th string above the 12th fret around 3mm. Wow I just measured my Conde negra, the one everyone likes best, and that is EXACTLY the set up. Hair under 8 at the bridge, 9.5 at the hole. 3 at the 12th. This guitar does not have the easiest action of all my guitars, nor the weakest or loudest volume. But it is pretty much perfect for everyone that tries it. Break angle is extremely shallow. The other negra is, 10mm at the bridge, 10.5 or less at the hole, and 2mm at the 12th. Much easier action, sound is still good, but more buzz of course. Despite the MUCH steeper break angle over the bone, the guitar is not louder than the other. They are close perhaps the other is a bit louder, but again I attribute that to it having a little more bass. Both guitars have GREAT mid range. Regarding classical flamenco hybrids, I think that either of these guitars (I described above) with a higher bone and different strings brand (like Daddario hard tension), Slow Bach would come off great. I think one could do well with a flamenco negra, and just different bone and strings for "classical" mode. (I am talking for folks that absolutely MUST have only one instrument for both). Likewise, I think a Hauser with a low bone, tap plate or one of those static cling on plastic protectors, and some La Bella 820's, would make a great flamenco. Problems is the initial set up of the bridge won't allow for a real low bone with out total buzzing. I actually started learning flamenco on a Ramirez 1a with my own tap plate put on. That was tough! Rasgueados were never sounding right until I got the right kind of guitar.
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