Flamenco / Classical Hybrid (Full Version)

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chapman_g -> Flamenco / Classical Hybrid (Apr. 11 2007 22:19:23)

Especially the luthiers. Is it possible to make a flamenca negra that has a different bone for using the guitar for flamenco and then one for using the guitar as a classical. Specifiaclly if the bridge is set up favouring flamenco, could you just slap a higher bone in there to raise the height comparable to classical set ups?




JBASHORUN -> RE: Flamenco / Classical Hybrid (Apr. 12 2007 9:37:14)

Theoretically, its possible but the difference between optimum string height for a classical and flamenco are quite different, so the bone saddle would need to be quite large when converting across to the classical. This would also affect the "break angle" of the strings where they meet the bridge. It MIGHT not affect the tone, but an overly steep break angle could lead to increased string breakages.

BTW a typical Flamenco guitar bridge and a classical one are different- the flamenco bridge is shallower, due to the lower action we favour.

Jb




Anders Eliasson -> RE: Flamenco / Classical Hybrid (Apr. 12 2007 10:43:16)

Hi Chapman

I´ve built 3 hybrids, doing exactly what you say, looking more for a flamenco setup with an extra bone for more classical stuff. and a bracing I would call a beefed flamenco bracing.

The guitars came out very nicely and the owners are very happy with them. They are all a bit more flamenco than classical, but serve their purpose.

One thing you have to understand though is that its a compromise and as a such you loose something. I find that the guitars serve very well as a typicall concert flamenco Negra. They are loud so they can be used for dance but a sharper sounding blanca would be better. As a classical guitar, they sound awesome for some of the typical Spanish repatoire, giving them some more dancing air. For more serious stuff, a bigger sounding typical classical guitar with less attack and more sustain will work better.

For other things, like canteautor, speedscaling, brazil, son etc. the guitars are VERY good with just the right mix of percussiveness and body.

here you have a picture of the last one[:)]



There are more photos of this guitar on my website under classicals

Images are resized automatically to a maximum width of 800px




JBASHORUN -> RE: Flamenco / Classical Hybrid (Apr. 12 2007 11:12:15)

Nice guitar, Anders! So does it have a Classical bridge or a Flamenco one? Or possibly a cross between the two? (high flamenco-low classical).

Jb




chapman_g -> RE: Flamenco / Classical Hybrid (Apr. 12 2007 12:40:02)

Anders,
So how much does a beauty like this cost? And how long does it take? You can email directly at chapman_g@yahoo.com if you like.




Anders Eliasson -> RE: Flamenco / Classical Hybrid (Apr. 12 2007 13:30:39)

The guitar has a bridge which is 1mm higher than a standard flamenco bridge. (7mm bridge, 9mm setup at bridge and a 3,5mm setup 6th string 12th fret.)

The price is the one you see on my website. This one has a 100 euros extra, the orange French Polish with the rosette and purfling in natural. a total of 2700,- euros. It takes around 2 month incl. french polish to build a guitar like that My waiting list is short. Just a few clients, so I can finish one this autumn/early winter.

Un saludo
Anders




Estevan -> RE: Flamenco / Classical Hybrid (Apr. 14 2007 17:19:26)

Very interesting...and if it sounds as beautiful as it looks...wow!

quote:

As a classical guitar, they sound awesome for some of the typical Spanish repatoire, giving them some more dancing air. For more serious stuff, a bigger sounding typical classical guitar with less attack and more sustain will work better.


Seems it could be really good for lute and harpsichord music. (But maybe not for Takemitsu...)




Anders Eliasson -> RE: Flamenco / Classical Hybrid (Apr. 14 2007 18:17:13)

Exactly.

I like this sound very much for things like Bach partitas and Sonatas. I used to play those on violin and I like a lighter sound than the typical bigbody tons of sustain modern Classical.

It also works well for Spanish things like Albeniz, simply because this flamenco sound gives it a more Spanish Aire.




Per Hallgren -> RE: Flamenco / Classical Hybrid (Apr. 14 2007 19:41:22)

Nice guitar Anders!

The guitar that I have built for myself is a similar guitar, a hybrid but a blanca. I call it a "veranda guitar". A veranda guitar is a guitar that suits all musical styles reasonable well. The purpose for my guitar is to be handy at any moment, no matter what kind of musician visiting my house. Classic, flamenco, bossa, blues, chansons, svenska visor... anything that can use a guitar. For me that is the essence of a guitar. And I have a nice veranda too.[:)]




Anders Eliasson -> RE: Flamenco / Classical Hybrid (Apr. 15 2007 7:44:06)

Any photos of that veranda? I always get so melancholic when I see Swedish wooden houses with veranda. (skärgaards ströming ock snaps paa verandan [:)])




Per Hallgren -> RE: Flamenco / Classical Hybrid (Apr. 15 2007 17:20:56)

Well, I don't want to get you too homesick. If you really insist on it I will take a photo of it. Which snaps do you prefer? One of my favourites is Aalborg, ooops, sorry, now you got even more melacholic[&o]




marc55 -> RE: Flamenco / Classical Hybrid (May 3 2007 14:08:43)

I recently bought a 'Casa Montalvo Negra Select' (second hand) - they retail at about $2000 - it came with two saddles - a down and dirty flamenco one and a higher more refined one. Either way it sounds great - but obviously the action is lower with the flamenco saddle.




a_arnold -> RE: Flamenco / Classical Hybrid (May 29 2007 4:46:05)

Salvador Castillo also will build a negra hybrid with 3 saddles, one flamenco, one classical, and one compromise. You can see an example at

http://www.flamencokc.com/store.html#guitars

Personally, I feel like his negra is sufficiently classical sounding even with the flamenco saddle.

Tony Arnold




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