Gecko -> RE: Couple of beginner questions... (Jul. 18 2006 10:54:09)
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I began flamenco guitar studies about a year ago, coming from a classical background which I feel helped me a lot at the beginning. Given your background here is how I would approach it. Find a teacher. If that is not possible, which it likely isn't then I would: 1. Get Christopher Parkening's Guitar Method Vol I. This is mostly classical technique, however most, if not all, are used in flamenco. It will fill in a lot of gaps in the fundamentals of nylon string playing that you are not going to find in Gerhard's books, though they are very good. Moreover, Parkening will get you started reading standard notation, if you don't already and perhaps more importantly get you familiar with common articulations and rhythm/time and key signature structure. Is reading standard notation necessary? Probably not, but it is very, very helpful. On the other hand understanding articulations and commonly used symbology is going to be necessary. If for no other reason, I would get Parkening for a reference book, but IMO it will ease your introduction to nylon string and flamenco considerably. 2. Get Gerhard's Flamenco Guitar Method Vol 1, you probably won't be ready for Vol 2 for quite a while. This is principally an introduction to flamenco methods and techniques. IMO is does assume you know some fundamental nylon string and/or classical methods and techniques such as rest and free strokes, proper left and right-hand fingerings, slurs and ties, barres, unisons and playing in more than one voice, etc, etc. 3. Get Juan Martin's Solos Flamenco Vol 1. This is principally a music book with a thorough introduction to the most common of the palos (flamenco forms). It is graded 0-5 so it will provide you with some easy flamenco music to keep your interest piqued. The above 3 books should provide you with enough material for a couple of years worth of study. Yes, a capo will eventually be necessary for two reasons. First it will ease some of the left-hand stretches you will eventually have to make and secondly, it is traditional to play some of the palos "capo'ed" up. This stems, I believe, from playing for a Cantaor(a) (flamenco singers) who may wish to sing the piece in a different key. Don't skimp on the Capo, get a good one as you don't want to scar-up the neck on the Sanchis and be aware that the capo for a nylon string is different from a steel string capo!!!! Your Sanchis is going to be a great mid-level guitar!!!!! Tom at LaFalseta can probably get you most of the above books as well. One final piece of advice and again this is just my opinion. Your are going to start to hear a lot about compas which is basically an accent structure that overlies the time signature and will vary by palos. Forget about it for 6 months or so!! However, it will eventually become important if your going to play puro-flamenco and/or if you will be accompanying a cantaor(a) or bailaor(a)'s, dancers. Here are some sites you will find useful: Glossary 1 Glossary 2 Sal's Site Comaps Intro List/description of Palos w/MP3 Welcome and good luck. If you're like me you're going to find this journey into flamenco, though frustrating at the beginning, well worth taking.
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