|
Richard Jernigan -> RE: Brazilian negra (Jan. 5 2026 0:25:20)
|
quote:
Fawkes: Ramirez III said a lot of things. Like that the Spanish guitar had weak treble response and he fixed it. From the late 1960s to the mid 1980s I bought something like a dozen 1a classicals from Jose III personally, and sold them in the USA at a profit, except for a few for friends. The markup covered round trip air fare to Madrid. I heard a lot of opinions from Jose. I regarded his "mathematical" theories of guitar design as nothing more than numerology, but his practical ideas of production, his stories of well known professional players and his business acumen were the product of years of experience, thoughtful consideration, and willingness to experiment. When I ordered a classical from Abel Garcia in Mexico in 2006, he sat me down and delivered a lecture on back and side materials. He said he could make equally good guitars from Brazilian, Indian, Cocobolo and Palo Escrito. A university press published Abel's book on guitar woods. I saw a copy of it on a bookshelf in Richard Brune's shop. In the end I ordered Brazilian. We went to Abel's humidity controlled woodshed where I picked out a set, straight grained and quarter sawn. He charged me a lot of money for it. I asked him to pick out the spruce top, saying, "Tu eres el maestro." Then I asked Abel which Brazilian he would have picked. He indicated a slab sawn set. When I asked why, he replied, "Es mas blanda." I didn't pursue the subject any further. RNJ
|
|
|
|