Interesting podcast about Paco de Lucia (Full Version)

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rombsix -> Interesting podcast about Paco de Lucia (Mar. 22 2025 3:03:32)

https://www.youtube.com/@LosacordesdeLuc%C3%ADa




devilhand -> RE: Interesting podcast about Paco de Lucia (Mar. 22 2025 10:58:10)

I watched the first interview with 3 finger picado dude a few days ago. This youtube channel says:

quote:

A podcast that pays tribute to Paco de Lucía's legacy from the heart of the Centro de Interpretación Paco de Lucía. Here we explore flamenco in its essence, with interviews with artists, lectures, and conversations about the maestro's influence on new generations.
Discover how his art continues to inspire musicians, dancers, and creators around the world.

Looks promising. But theyve failed to meet my expectations so far. Any fear that Pacos legacy can be forgotten? Paco is Paco. His greatness will never be forgotten, his legacy lives on.
This says it all. Taken from an interview I posted a few days ago.

"Paco? His execution is great, he has marvelous power, and a lot of talent as he has demonstrated with the creations he’s done. And although there are other approaches, Paco from his first records started changing the toque. The fact that the guitar is more concerned with rhythm these days is due to Paco, as is the addition of percussion. He’s the father of the present-day guitar."




Ricardo -> RE: Interesting podcast about Paco de Lucia (Mar. 22 2025 15:33:11)

podcast cashing in on the name of paco de lucia. It is one thing to talk about paco or explain his music to people. It is another to use his name for your entire channel as if you are an official spokesperson.




AndresK -> RE: Interesting podcast about Paco de Lucia (Mar. 22 2025 21:19:47)

What if Paco was not on the channel name, but it was "Paco de Lucia's technique" all over the channel[:D][:D]

I'm really sorry, could not help it[:D]




rombsix -> RE: Interesting podcast about Paco de Lucia (Mar. 23 2025 13:28:34)

quote:

What if Paco was not on the channel name, but it was "Paco de Lucia's technique" all over the channel

I'm really sorry, could not help it


He whose name we shall not utter.

[8D]




Ricardo -> RE: Interesting podcast about Paco de Lucia (Mar. 23 2025 15:18:36)

quote:

ORIGINAL: AndresK

What if Paco was not on the channel name, but it was "Paco de Lucia's technique" all over the channel[:D][:D]

I'm really sorry, could not help it[:D]


You see that is ok, because you quickly realize you are dealing with a legitimate scam artist who wants to sell you an ugly $900 Mexican guitar for 10k.




estebanana -> RE: Interesting podcast about Paco de Lucia (Mar. 28 2025 3:32:13)

Do I smell sarcasm here?




JasonM -> RE: Interesting podcast about Paco de Lucia (Mar. 28 2025 14:42:50)

Who’s the guy in the pirate costume?




amigo -> RE: Interesting podcast about Paco de Lucia (Mar. 28 2025 19:58:31)

He's an awesome guy from Brazil, when he plays scales it's like listening to Paco.
I said this here on the forum years ago, but some people don't agree, of course no one plays exactly like Paco, every person is unique, but I personally have never heard anyone play sixteenths at least at 200 bpm so clearly, staccato, and with awesome attack similar to Paco. It's worth listening to him!




estebanana -> RE: Interesting podcast about Paco de Lucia (Mar. 29 2025 0:48:35)

It looks like a bunch of retards with 8 string guitars. If you need an 8 string guitar there’s something wrong with you, it’s like yeah I need two extra strings to equal what the guys with 6 strings can accomplish. It’s the ultimate scam. These octo- pussies need to man up and learn to play with six strings or just retire.

It takes no skill to play music on 7, 8, 9 string guitars, not to mention the full on retardium of the 10 string guitar. That’s just throwing human music back to ancient Sumeria. May as well trade your iPad for a clay tablet. Look here, real studs play 6 strings and the most alpha guitarists even remove one string so they actually play with 5 strings, like Kieth Richards. Now there’s a bloke who is such a hard man that he has no use for the 6th string and just leaves it in the package, he doesn’t even know it’s there. He probably donates his unused 6th strings to charity so all the octo-pussies can get them free, because these multi strings so called ‘artists’ are low life’s who can’t even get a job.


Hey if you play 8 string guitars we have saved you some sandwich bread….



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rombsix -> RE: Interesting podcast about Paco de Lucia (Mar. 29 2025 11:21:46)

quote:

These octo- pussies need to man up and learn to play with six strings or just retire.


[:D]




Ricardo -> RE: Interesting podcast about Paco de Lucia (Mar. 29 2025 19:27:31)

quote:

ORIGINAL: amigo

He's an awesome guy from Brazil, when he plays scales it's like listening to Paco.
I said this here on the forum years ago, but some people don't agree, of course no one plays exactly like Paco, every person is unique, but I personally have never heard anyone play sixteenths at least at 200 bpm so clearly, staccato, and with awesome attack similar to Paco. It's worth listening to him!


humble apologies but it does not "sound" the same at all. There are several flamenco guitarists that play and sound very much like paco, and at the least those that have played with paco understand the concept of tone production and mechanics in addition to the musical purpose where these "fast" picados are used (aka improvising over Rumba and such). Some players that don't necessarily exhibit the perceived speed of PDL (and his friends that match his speed in concert, Enrique del Melchor, Cañizares, Cepero, his nephew Banderas, Antonio Rey, and even Josele and his young nephew Antonio managed to develop sitting next to paco and trade with him on Zyrab, being afraid at first), manage to deliver very nice playing and Picados that sound good and flamenco within the scope of their personal style. There are the speedy solo guys as well (Grisha and Javier Conde namely), and all these folks do it more or less "the right way" which is to say, I-m alternation and other details from the flamenco aesthetic.

The Brazil guitar is a very different aesthetic, not to say it is lesser or greater, but unique in the sense the person interviewed as the same sound and approach to tone as Powell, Rabello, Yamandu, and etc. It is very simply NOT flamenco sounding, and that is cool, it is by design. Rafael Cortez, Nuñez, and others have explored the 3-finger scales as a different approach, but with understand it sounds distinct. So People getting all excited about this guy with the Brazil sound matching the speed, I just don't get it. It is by design not supposed to be the same thing and it is cool for what it is. How about he try to sound like Cepero plays today for cante and such, considering Cepero matches that same speed of picado (or used to at least) using the standard method?

Well the guy does not have to do it because he is not a flamenco guitarist he is Brazil style. So I can't help but feel this "he sounds just like paco OMG!!!" is superficial speed envy or whatever.




estebanana -> RE: Interesting podcast about Paco de Lucia (Mar. 29 2025 20:41:22)

quote:

ORIGINAL: Ricardo

quote:

ORIGINAL: amigo

He's an awesome guy from Brazil, when he plays scales it's like listening to Paco.
I said this here on the forum years ago, but some people don't agree, of course no one plays exactly like Paco, every person is unique, but I personally have never heard anyone play sixteenths at least at 200 bpm so clearly, staccato, and with awesome attack similar to Paco. It's worth listening to him!


humble apologies but it does not "sound" the same at all. There are several flamenco guitarists that play and sound very much like paco, and at the least those that have played with paco understand the concept of tone production and mechanics in addition to the musical purpose where these "fast" picados are used (aka improvising over Rumba and such). Some players that don't necessarily exhibit the perceived speed of PDL (and his friends that match his speed in concert, Enrique del Melchor, Cañizares, Cepero, his nephew Banderas, Antonio Rey, and even Josele and his young nephew Antonio managed to develop sitting next to paco and trade with him on Zyrab, being afraid at first), manage to deliver very nice playing and Picados that sound good and flamenco within the scope of their personal style. There are the speedy solo guys as well (Grisha and Javier Conde namely), and all these folks do it more or less "the right way" which is to say, I-m alternation and other details from the flamenco aesthetic.

The Brazil guitar is a very different aesthetic, not to say it is lesser or greater, but unique in the sense the person interviewed as the same sound and approach to tone as Powell, Rabello, Yamandu, and etc. It is very simply NOT flamenco sounding, and that is cool, it is by design. Rafael Cortez, Nuñez, and others have explored the 3-finger scales as a different approach, but with understand it sounds distinct. So People getting all excited about this guy with the Brazil sound matching the speed, I just don't get it. It is by design not supposed to be the same thing and it is cool for what it is. How about he try to sound like Cepero plays today for cante and such, considering Cepero matches that same speed of picado (or used to at least) using the standard method?

Well the guy does not have to do it because he is not a flamenco guitarist he is Brazil style. So I can't help but feel this "he sounds just like paco OMG!!!" is superficial speed envy or whatever.



Allow me to translate into Bro-Lingo:

Dude, bro, these are not OG’s. These ones are Octo-weens with no rizz. 8 strings played with 3 fingers is some beta snag up. You want 6 cordes 2 digits not the 3 digit bed wetters. Alpha picado bro, with Vietnam lady salon nails brah.

Follow me for more toxic masculinity translations, never AI, always 100% human. I’ve been helping average guys transition into embracing toxic man culture for decades, follow me for tips on how to create a toxic douchbag persona by reading my translations and learning the incel gambits. Someday you’ll have moms basement all to yourself and own a complete social media garage troll package with a $5600.00 Roganator gaming/ trolling chair.

Stay hungry, stay toxic, my friends.




AndresK -> RE: Interesting podcast about Paco de Lucia (Mar. 30 2025 13:36:59)

If less the strings is more the man here is THE MAN, el maestro Niño Miguel.

edit: Since the video is not previewing here, I can let you know that he is playing with just 2 strings. The video's name is "Niño Miguel. dos cuerdas"

But guys, those Brazilians play with 7 strings not eight. I think it has to do with their music. Egberto Gismonti plays with a 10 string but I always thought it has to with the fact that he is pianist too and was missing the extra basses. He is quite macho too[:D]




Ricardo -> RE: Interesting podcast about Paco de Lucia (Mar. 30 2025 15:08:11)

quote:

But guys, those Brazilians play with 7 strings not eight. I think it has to do with their music. Egberto Gismonti plays with a 10 string but I always thought it has to with the fact that he is pianist too and was missing the extra basses. He is quite macho too


I really like the guy's music. The piano playing more than the guitar, which seems a bit indulgent, but still, I enjoy it all. That album solo is the best one, just him alone with guitar and piano. Odair Assad told me all the musicians in Brazil call him "ego-berto". [:D]





devilhand -> RE: Interesting podcast about Paco de Lucia (Mar. 30 2025 16:46:42)

quote:

humble apologies but it does not "sound" the same at all.

Why do you think his picado doesnt sound like Paco's? Is it the guitar?
To me his 3 finger picado sounds a bit mellow. How do we get that Paco's picado sound? Any suggestions?




Ricardo -> RE: Interesting podcast about Paco de Lucia (Mar. 31 2025 13:59:36)

quote:

How do we get that Paco's picado sound? Any suggestions?


Practice with a metronome doing short bursts. The goal, I guess for everybody, is to end up with longer and longer phrases. To do that, many of us "burn out" so the trick is to develop control and save energy. Why is that? According to Paco the challenge is the reset action, because that is were we conserve energy. I think the best way to get a feel for it is the staccato thing, stoping the note with the next finger so that it is planted early and while waiting there is no exertion. The energy is often over spent trying to reset, so working on small bursts is the way to go. I recently realized that the staccato thing is not modern at all, I found it in a method book of 1869 (!!) by Damas.



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Auda -> RE: Interesting podcast about Paco de Lucia (Mar. 31 2025 15:08:03)

quote:

Any suggestions?


Try buying a flamenco guitar and practicing way more than 2 hours a day. However, it still will not likely happen but at least you will have a flamenco guitar.

Best of luck




estebanana -> RE: Interesting podcast about Paco de Lucia (Mar. 31 2025 17:13:19)

quote:

ORIGINAL: Auda

quote:

Any suggestions?


Try buying a flamenco guitar and practicing way more than 2 hours a day. However, it still will not likely happen but at least you will have a flamenco guitar.

Best of luck


Ole’ 😂




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