orsonw -> RE: Baile today (Mar. 14 2025 20:20:32)
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Modern flamenco has had a significant influence from German Tanztheater as well as Spanish surrealism. The German influence is via Pina Baush who had a direct connection with Eva Yerbabuena. Israel Galvan also cites Pina Baush as an significant influence. I don't usually post about baile here. The foro is generally even less open to baile than cante! Though I am a baile aficionado (more so than of guitar). Israel Galvan is a great artist who transcends flamenco. Even when abstract from flamenco, when you see him perform he has flamenco so deeply in him it is always there. I saw Eduardo Guerrero years ago when he was more straight ahead and he was great. He is hit and miss in his experimentation. Patricia Guerrero is much more successful in hers. I've seen her several times, both more straight ahead flamenco and her more abstract creations which I think are very good. Her choreography has something real to say, she's not just experimenting for the sake of it. It seems that baile is the only living part of flamenco these days, cante now a museum piece, the guitar at a dead end unable to get past Paco de Lucia? Yerai Cortes is trying something similar with guitar as the dancers, but his proposition so far seems like it's turning out to be one dimensional and superficial. Listening to Paco Cepero's current playing, or Jose de Pura shows that up. Here are a few of the other current artists that I personally rate, but remember I like baile! Águeda Saavedra Mercedes de Córdoba Alfonso Losa Gema Moneo Fuensanta Farruquito and family Karime Amaya Macarena Ramirez Maria Moreno Belen Lopez Saray la pitita Beatriz Morales Pastora Galvan Claudia "La Debla" has potential Ana Morales Adela Campallo Manuela Carrasco Hija has potential
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