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Ricardo -> RE: Is he playing abanico sextuplets? (Aug. 3 2024 17:30:24)
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quote:
ORIGINAL: metalhead
Don't understand pattern 2. I mean I do P C I P, so he's doing a standard abanico it seems, the pattern would be the same rihgt? Only the subdivision is different.
And how would you go about counting sixteeth notes in bulerias? I would have to atleast count it at slow tempos when I'm practicing, and it looks difficult to do so since counting 16th notes at even a slow bulerias tempo will be difficult
If you think of Solea as the same form as buleria there should be no issue. It is faster that is all. 1e&ah, 2e&ah, 3 etc. Get it? I counted it clearly for you. The pattern 2 he does is:
P/a-i-P-a/i-P-a-i/P. Count it from 7……ah/8e&ah/9e&ah/10. If you have problems starting on the “ah” of 7 as a pick up to count 8 (down stroke), practice it very slow like Solea or Solea por bulerias tempo/feel. Speed it up from there. It is not hard.
Perhaps develop the basic concept of triplet abanico as a steady stream of 16ths with a metronome. It is challenging for students because the feeling of the beat changes to different strokes as it rolls along. This is a type of synchopation that needs to be mastered. It is a basic necessary rudiment regardless of meter. I developed it a lot in rumba which is the same tempo as bulerias. Paco did this first time and ever after in La Tumbona, 1980. You can see him do it in his solo live in San Francisco.
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