ernandez R -> RE: Cypress Classical - Any Suggestions? (Mar. 19 2024 3:04:59)
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Oy, there is so much effect going on in that Tomatito recording, he could be playing a broomstick, or the horn of a unicorn, and it would have sustain. I understand what your saying but pick a better example. A lot a variables, about ten guitars in I started diverging my already bastard child Spanish guitars onto flamenco and classical based on sound bar bracing, top thickness and distribution, lining mass and thickness, and neck string action angles, some high tech materials here and there, and a little bit country, a little bit rock n roll. My flamenca notes are immediate and and tonally clear, less dynamic and color for sure, round at f18, not so much dry exactly, but hit hard a finger or four from the bone the wound strings growl and the trebles bark like a bitch in heat. My classicals sing and ring, not like f’n piano, no Spanish guitar should sound like a piano in some uptight sagovian parlor, still the notes bloom and the dynamics mix and match depending on how you glide off the strings and where. I’m sorry Sensi Faulk, perhaps this is where we part… snatch the pebble from my hand! Good discussion though, it’s compelling to hear the ideas of players and builders alike, to be made to think or rather rethink ideas we find have become fixed. HR
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