Inspiration (Full Version)

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devilhand -> Inspiration (Apr. 10 2023 22:34:52)

For everyone who composes, this is a good article on composing music and inspiration written by Alfred Kirby in 1938. I hope you can get inspiration just by reading it.

quote:

The art; habit; gift; (call it what you will) of composing music is not a "cut and dried" business nor is it entirely dependent upon a first-class musical knowledge. There are many good musicians who cannot create original music and there are many fine players who never compose music. On the other hand, a person with little or no knowledge of the practical side of music will sometimes think out a really fine tune. In such a case a practical musician would have to arrange the accompanying harmonies and generally "trim" it into shape.

Many of the melodies of successful songs have been thought out by people with little or no knowledge of music. If, however, one has the creative ability and, with it, a practical knowledge of music (especially harmony) good results should follow. Even then, there is another factor; a most important one without which genius may lie dormant. This is inspiration.

Speaking generally, the music you force yourself to write will not be your best work.

From what does this quality of inspiration spring? It may arise from a variety of sources. You may listen to a fine piece of music which may set your creative talent alight without in any way plagiarizing that to which you have listened. Again, a title may suggest the germ of an idea which might be carried through to a triumphant end.

Perhaps the most fruitful of all the varying sources of inspiration in music is to be found in improvisation. Whether it be a stringed instrument; piano; organ or any other capable of producing musical sounds, the player with creative talent can usually find some source of inspiration; perhaps from the tone of his instrument or from the quality of his own playing or from some original phrase or passage, or combination of harmonies, he may hit upon; in short, something that will ultimately become a worth-while composition.

Some composers write a few good pieces of music and then suddenly finish: it would appear that their personal inspiration, for some reason or other, had dried up. Others write prolifically for a lifetime without ever doing anything out of the ordinary. It is a fascinating subject.


To luthiers, it would be interesting to know how inspiration can influence the quality of guitar making.
Is guitar making today a creative process? Can inspiration produce better instruments?




RobF -> RE: Inspiration (Apr. 13 2023 3:27:08)

These are good questions. For me, the second video in the thread I posted about María del Tango is an example of what inspires. Most, if not all, makers don’t want to keep the guitars they make, they want them in the hands of others making music. That’s inspirational and what motivates.

Can inspiration make better instruments? Perhaps, that and commitment and drive. But we have to remember guitar making can be different things for different people. It can be a purely industrial endeavour, it can be a craft, and for many it is a creative process, as well as a craft, and inspiration definitely plays a part. That and a love for fair lines and curves and proportions and good joins and the look, feel, and smell of the wood and on and on.




AndresK -> RE: Inspiration (Apr. 13 2023 6:54:49)

Inspiration then, yes. It could come from absolutely anything. Roland Dyens had written a piece called flying wigs. Almost everyone thought it was flying wings back then. I met with this genius, in classical guitar seminars back to the day he was still among us with his physical form.

One day he told us the flying wigs story. He was in a taxi, I think in Paris, in the front sit next to the taxi driver, and two more people were sitting in the back. Suddenly the taxi driver was forced to hit the brakes shaking everyone in the car, and Roland saw a wig flying right besides him, ending on the windscreen of the taxi. A gentleman in the taxi was obviously wearing the wig up until that moment. That was the moment inspiring Roland Dyens to write his piece.

One other time a journalist taking an interview, asked Dyens what was his favourite note. He said, "well, I never thought of that, I would say G#" the journalist then asked, "have you written any piece in this key?" . After admitting that he had not, he went and did exactly this. Wrote a piece in G# calling it exactly that, G# in French. And it is a quite unique piece asking the interpreter to change the tunning of the strings while playing the piece.




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