Filip -> RE: Practicing- (Sep. 17 2021 20:13:06)
|
quote:
Practice makes PERMINANT, not perfect. So if you practice slow with no mistakes, all you are doing is mastering the slow tempo. In order to play something at the correct tempo, you need to practice at THAT exact tempo. I would admit that there are ranges where the feeling is pretty similar. For example you want to play a tango at 160, practicing at 150 range will get you there, but 100 will not. If you feel 100 is NOT achievable even, you need to start a phrase at 150 right away, and loop it small bits, like two beats at a time looped, fixing the errors each pass until you do it many many times in a row perfectly, then add the next two beats or so. I am sure you have seen this video but it is basically how I think all falsetas or compas phrases should be learned. This is not a prepared video, you are watching me actually learn and master the thing This is how I leant the intro of Guardian Angel, and this is probably my best played falseta (second to none if I take into account the effort taken to learn it). Another thing about it is that I can still remember the whole falseta and can get back to the same level of playing after a very short practice time. Ricardo, I also read your following comment about doing one falseta slow, then fast, and then going to the next falseta. I guess the answer to this might be obvious, but in that Tomatito falseta are you actually looking at the scores (I can't really tell) or you memorised the falseta first?
|
|
|
|