mark indigo -> RE: Tango Two Finger Rasgueados (Jul. 10 2020 23:10:37)
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quote:
Pretty sure he was asking about tango basic compas, not rolls or accents. yeah, the Herrero example veered off topic a bit, but the Pepe Habichuela one is relevant: "Pepe perfected this movemente [m up, m down, i down], by derivation from a rumba andaluza strumming (very similar to old tangos he used to play as a child in Granada. In this technique that he had learned from his father Tio José, he replaced the thumb of the strong beat by a golpe and the first two index finders by the middle finger." [In place of p i i i (all down on each of 4 beats) he did golpe, m up, m down, i down on the 4 beats.] "From that time onwards the movement was ready and it was just sufficient to take out the first beat and it's golpe to have a continuous rasgueado after some practising to increase the speed." [from Alain Faucher's "Flamenco Esencias" book] I'm pretty sure Pepe has used this (mmi) where we would use iai in basic tangos compas, and certain Miguel Angel Cortes has. But as you say, quote:
Pepe... has different techniques that actual make him have unique results, however subtle. I happened to spot the Sevillanas example and although a different palo of course the mechanism (however you do it) in Sevillanas is the same as Tangos but without the down up index on the 4th beat. I learned i up, a down, m down, i down, for basic tangos compas first (i think maybe from the Paco Serrano Encuentro), and from there it was easy to drop the m finger to get the typical i up, a down, i down, which is what i use. I have tried the m up, m down, i down, version, but find it really clunky and awkward so don't use it.
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