Richard Jernigan -> RE: Solo flamenco guitar - a new trend in classical guitar playing (May 24 2020 4:04:25)
|
Fisk has often puzzled me. I hadn't heard this performance of the D Minor Prelude, but it's a good example of a puzzling Fisk performance. It seems like some kind of stunt. Does he really think that's the way to play it? I think I have a CD of Fisk playing the Paganini violin caprices. I say I think so, because the CD shelves are downstairs, and if I do have it, I haven't listened to it for at least ten, maybe 15 years. I remember another puzzling performance. Fisk was one of the featured performers at the International Guitar Festival in Cuernavaca, Mexico in 2000. To start off his concert he murdered a Bach piece, I don't remember which one, followed by a couple of other performances I really didn't like. At intermission I groused about it to Kevin Gallagher, another of the featured performers. We had a few friendly conversations before that, maybe a meal or a drink with a group of people. I really liked Gallagher's playing. Like the pro he is Gallagher wouldn't respond to any criticism of another pro. He just said, "I admire him." "Why?" "He has so much fun out there." After the intermission Fisk played a very lively, modern, not particularly refined or serious piece "Notre Dame Blues" by Rochberg. It was a hoot. My settled impression of Fisk: WTF???? Classical guitarists and flamenco? Adam del Monte played a concert here recently. I lked his classical playing. He played a very modern soleá, "dedicated to his teacher Pepe Habichuela." Mak Grgic played some virtuoso classical duets with del Monte, and they did some flamenco duets, which were actually flamenco, at the modern end of the genre. I enjoyed the whole concert. On the other hand, there was a recent master class here by David Russell just before the coronavirus lockdown. All three students from Adam Holzman's University of Texas guitar studio were astoundingly virtuosic. So was Russell in his concert the next night. No flamenco at all. For an encore Russell played a transcription of one of Albeniz's Spanish genre piano pieces: Cadiz? Sevilla? Not sure which at the moment, but it took me straight to Andalucia. As we stood up for the ovation, I turned to Larisa and said, "We're leaving tomorrow for Spain." She nodded and smiled enthusiastically. It wasn't flamenco at all, and wasn't meant to be. But it was quintessentially Spanish, more than I ever heard him play it before. Russell and his wife ended up marooned in California for a while, then made it home I think. I haven't left Austin since then. RNJ
|
|
|
|