Ricardo -> RE: opinions about rubato playing? (May 5 2020 0:32:47)
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quote:
ORIGINAL: mark indigo quote:
As you can see he likes to accelerate the conclusions of the two compas phrases. thanks for the vid, I have watched/listened a few times over, I am going to have to study it some more, I am still not getting the end of the 3rd compas and first half of the 4th, it just seems to float around your palmas! I think I just can't hear the pulse/beat with the combination of space and elastication. I am fine with hearing something like Cuando Canta el Gallo or Barrio La Viña where it's more or less continuous 3 or 4 notes per beat and the tempo gently rises and falls, or speeds up more in the picado runs. Or other things of Vicente like Maestro Sanlucar or Reino de Silia of Vicente where there is space, but palmas/percusion accompaniment keeping a steady pulse. I will listen some more, thanks again. You can slow my video down ... it’s mostly 16th notes so keep track of em. The third compas has a rise and fall accent before and after 3, 6, 9. So that last phrase throws your ear. &ah8e&ah NINE e&ah 10e&ah 11e&..(rest). Then start on 1 (4th compas) track 16th notes to the count 4 D string bass note (I am already getting behind him there) then he accelerates and that is where it gets hard to track ...6 is the high note and he really pushes after that then 10 is remate that he slows down right away. 6th compas same deal, he runs away from me and I catch up. Also the golpes llamada he is slowing down so I’m not slowing down exactly perfectly coming from the previous compas that was sped up. However it should still be clear how those golpes are coming in as contras. For the most part he is fairly even tempo wise IMO, I could take time to give metronome marks, but I thought clapping along was faster, and you can see in real time how he is stretching things.
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