Solea de Tomas Pavon y Melchor de Marchena (Full Version)

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Dudnote -> Solea de Tomas Pavon y Melchor de Marchena (Dec. 13 2019 18:39:41)

Continuing from this thread - finally got what I had (the 1st nine compases) tabbed out in Lilypond...





Ricardo -> RE: Solea de Tomas Pavon y Melchor de Marchena (Dec. 14 2019 17:10:34)

In measure 5 the F has to keep ringing so it’s open G string then the B notes are cross string between 4 and open B. Listen slowed down to the timbre of the B notes to realize which string each is on.

—————————————-
—————0——0—————-
——0—2——4——-4-2-0——
-3————————————3–etc
——————————————
——————————————-




Dudnote -> RE: Solea de Tomas Pavon y Melchor de Marchena (Dec. 14 2019 22:18:57)

Many thanks Ricardo!! I almost posted a question about that very phrase. I wonder if he was using thumb or index on the b string?




timoteo -> RE: Solea de Tomas Pavon y Melchor de Marchena (Dec. 15 2019 1:47:37)

That's a really common phrase ... The way Ricardo tabbed it is the same as Faucher's Melchor book. Faucher notes it as all pulgar.




Ricardo -> RE: Solea de Tomas Pavon y Melchor de Marchena (Dec. 15 2019 9:46:39)

Yes it’s all pulgar, even that long scale. The arpegios use fingers, but the rest is all thumb.




Dudnote -> RE: Solea de Tomas Pavon y Melchor de Marchena (Dec. 18 2019 12:12:11)

Many thanks for the feedback!!

There were several other errors too, so here's a new version...

I honestly think it's not possible to get every arpeggio 100% accurate. However, the second arpeggio of compas 9, I am fairly sure this is a 5 note arpeggio. I'm drawn to the idea that it was played with tremolo fingering (piami) and not an unintended 5 - a suggestion which appeared on the José Menese thread. So I wonder how often tremolo fingering was deliberately used by accompanists (as an alternative to 4 or 6 note arpeggios) in pre-PDL days?




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