Historic recordings from Manuel Cano's book (Full Version)

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edguerin -> Historic recordings from Manuel Cano's book (Jul. 24 2018 14:49:56)

In his book "La Guitarra - Historia, Estudios Y Aportaciones Al Arte Flamenco" from 1991 (2nd ed) Manuel Cano included 2 MCs with historic recordings (Breva, Torre, Chacon, Niña de los Peines, Cojo de Malaga etc., accompanied by Ramon Montoya, Juan Gandulla, Luis Molina etc.).
I digitalized and uploaded them to SoundCloud



edguerin -> RE: Historic recordings from Manuel Cano's book (Jul. 24 2018 15:07:26)

I can't seem to be able to upload the listing of the recordings here ( error '80070070'
/js/PGDUpload.asp, line 328 ). [:(]



henrym3483 -> RE: Historic recordings from Manuel Cano's book (Jul. 24 2018 15:51:18)

thanks very much, will have listen in depth later on this evening. [:)]



edguerin -> RE: Historic recordings from Manuel Cano's book (Jul. 24 2018 16:39:23)

Ok. It worked now.





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kitarist -> RE: Historic recordings from Manuel Cano's book (Jul. 24 2018 21:06:51)

Thank you!

Do we know why the buleria is 'buleria nueva'? Does 'nueva' signify anything musically, or is it meant as in a new composition (in the buleria style)?



Ricardo -> RE: Historic recordings from Manuel Cano's book (Jul. 24 2018 21:57:07)

quote:

ORIGINAL: kitarist

Thank you!

Do we know why the buleria is 'buleria nueva'? Does 'nueva' signify anything musically, or is it meant as in a new composition (in the buleria style)?

They mean Nueva as in “ the oldest **** ever”. [:D]



edguerin -> RE: Historic recordings from Manuel Cano's book (Jul. 25 2018 9:46:15)

quote:

They mean Nueva as in “ the oldest **** ever”


Cano doesn't explain this in detail. According to him, Pastora Pavon "presents this piece under the title of -Buleria Nueva- demonstrating it's [bulerias] two forms. Verses in minor mode accompanied by -toque por medio- ending in the more festive major mode."
He goes on to explain that this more festive form is underlined by the tongue-twisting [trabalenguas] play on words at the end.



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