Should I sell my classical guitar? (Full Version)

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Cervantes -> Should I sell my classical guitar? (Jan. 29 2016 17:46:41)

I have a pretty nice classical guitar I bought many years ago for about $1,600.
It has Indian Rosewood back and sides and spruce top. I took it to the builder last year to have a repair done. He told me that kind of rosewood you can't even get anymore.
It would be a shame to sell it but I never play it, it seems so foreign to play with the strings so high and spend 100% of my time playing flamenco. It has become obvious to me that I need to do more recording of my playing to improve. So I could use the money to finance a nice microphone. Right now I have a cheap CAD u37 USB mic that serves the purpose but the sound quality obviously is lacking. I could also upgrade my Flamenco which is made by the same builder but it is good enough until my playing improves which I think will be a few more years.




Ricardo -> RE: Should I sell my classical guitar? (Jan. 29 2016 18:44:20)

First of all Indian rosewood is quite common. Most likely you mean Brazilian rosewood which is rare and endangered, but still to be found. Second, depending on set up you can lower the bone saddle and put a golpeador on yourself if you like the sound of the guitar. But if you really don't care about the sound, for sure unload it and get another flamenco guitar.




Cervantes -> RE: Should I sell my classical guitar? (Jan. 29 2016 19:09:47)

The rosewood, what I meant is that quality of rosewood is harder to get now which is the case for almost all wood these days.
I think the sound is beautiful for a classical guitar but I don't have any desire to play classical. I could lower the strings as you say and use it a negra, but it is much heavier than my blanca, although its modeled after a Hauser so the body is small.
Maybe worth a try.




Sr. Martins -> RE: Should I sell my classical guitar? (Jan. 29 2016 23:46:29)

quote:

Right now I have a cheap CAD u37 USB mic that serves the purpose but the sound quality obviously is lacking.


If you're thinking of selling the guitar to finance a microphone for that purpose, keep the guitar. You don't need anywhere near that money to get a more than decent recording setup, you just need to know what to buy.

USB microphones are practical all in one solutions, good for beginners who know little about how to setup things for recording. Get separate components and the sound will be much better.

BTW, maybe you don't like the sound because you aren't placing it properly or/and not using any fx.. such as EQ.




estebanana -> RE: Should I sell my classical guitar? (Jan. 29 2016 23:58:37)

It is true about Indian Rosewood, finding the really cool high grade Indian that used to be more common is difficult now. The old big trees are harder to get. The younger plantation grown wood is common today.

When a guitar maker says you can't get that kind if Indian any longer it means it's rarer. It's meant to be a compliment.




Paul Magnussen -> RE: Should I sell my classical guitar? (Jan. 30 2016 17:46:13)

If you never play it and don’t expect to, I would say sell it; ideally, to someone that knows good from bad. Otherwise it’s just clutter.

The only reason to keep it would be that you think it might appreciate.

Especially, don’t spoil it by putting golpeadores on it.




Cervantes -> RE: Should I sell my classical guitar? (Jan. 31 2016 15:41:35)

quote:

ORIGINAL: Paul Magnussen

If you never play it and don’t expect to, I would say sell it; ideally, to someone that knows good from bad. Otherwise it’s just clutter.

The only reason to keep it would be that you think it might appreciate.

Especially, don’t spoil it by putting golpeadores on it.


I agree, its a classical guitar it will never be a flamenco. Its such a nice guitar and it should stay as is.
Maybe I will try playing some Villalobos on it today to see if I want to keep it.




Ricardo -> RE: Should I sell my classical guitar? (Feb. 1 2016 13:19:54)

2016 time warp:

Indian rosewood is now endangered and rare, $1600 guitars still use it though, and golpeadores are evil.

I want to go back to 1971.




estebanana -> RE: Should I sell my classical guitar? (Feb. 1 2016 13:39:13)

Old brown gold Indian is rare, new purple brown young tree Indian is common.




keith -> RE: Should I sell my classical guitar? (Feb. 1 2016 17:35:33)

If the classical guitar is sitting collecting dust (not being used) and is expected to collect more dust then it makes sense to sell it. As to the flamenco guitar you are using, if the guitar is serving your purpose but not inspiring you or helping you move forward then maybe sell it and use the combined funds to buy a really good instrument. Good instruments do make a player better if for no other reason than the quality of sound and feel leads to more practice time.




Ricardo -> RE: Should I sell my classical guitar? (Feb. 1 2016 17:53:52)

quote:

ORIGINAL: estebanana

Old brown gold Indian is rare, new purple brown young tree Indian is common.


In the spirit of disseminating important info, can you point to some examples? It all looks "brown" to me with straight grain.




keith -> RE: Should I sell my classical guitar? (Feb. 1 2016 22:48:47)

I have cut blanks of Indian Rosewood to find nice purple streaks and with time the purple darkens into a brown hue. The below may help.

http://www.wood-database.com/lumber-identification/hardwoods/east-indian-rosewood/




estebanana -> RE: Should I sell my classical guitar? (Feb. 2 2016 0:53:46)

quote:

In the spirit of disseminating important info, can you point to some examples? It all looks "brown" to me with straight grain.


It's not a big deal, today East Indian Rosewood that suppliers commonly sell comes from plantations. In the past much IR came from larger wild trees.

There is no difference in the tree, but larger trees are bigger in diameter and the wood and figure looks different. Larger trees render lumber with less wood near the center of the tree and less wood near the outside of the tree. The guitarmakers Goldilocks locks zone for wood is wider in old growth trees. The larger trees usually have more wood for the sawyer to choose from and they can cut better backs and sides from each piece.

For making guitar backs generally a tree needs to be a minimum of 18" in diameter to avoid the center and cut off enough of the outside layers of the tree to get a back that is a nominal dimension of 8", the usual rough width of a back. Older trees give the sawyer more room mainly away from the center of the tree, which gives more room to get backs with less flat grain. A lot of Indian wood you can get today is from smaller diameter plantation trees and they often push the limits of how much they can cut from a smaller diameter log. If you have a trained eye you can see which lumber comes from smaller trees vs. older lumber that came form larger trees.

Larger trees are still available, but they are not as common as then used to be in the market place. Smaller trees which render wood cut closer to the margins of acceptability are far more common today. If you make guitars or are a seasoned wood worker you can see plainly which is which. To an unskilled eye most Indian rosewood may look all same. The older larger tree are preferred by hand builders. Backs from smaller logs may have close wavy grain near the center join of the back, while at the same time show some flat grain in the lower bouts. Backs from larger premium trees will show even grain from side to side, or show some beautiful marking or patterning in the grain like striations of gold and brown, but still maintain a nice even grain with not center grain or flat grain. That kind of quality only comes from bigger, older trees which are in high demand, but less common on the market.

Often times today the quality of the Indian rosewood is not as good, it can be excessively purple and also pithy. Some rosewood is soft and crumbly, which is really bad for making bridges. A lot of bridge blanks I reject are pithy, they have been cut from young small trees near the outside of the tree. Terrible wood for bridges. A lot of the rosewood sold for bindings is also poor quality, because it came from young trees and is cut from stock that was not good enough for backs and sides. It shows grain returns and twists, and warping and poor color, and excessive color bleed or the purple.

In the days prior to the internet guitar suppliers catering to beginners and hobby builders Indian Rosewood sets from old growth lumber were available and the standards were higher. The suppliers also sold to professionals and professional manufacturers like Martin, bad lumber would be rejected or remain unsold because guitar makers knew the difference between wood from small trees and premium wood. The wood was also rough dimensioned for the guitar maker and sold as wider rib stock, the rib stock was intentionally cut wide so a maker could rip the binding stock off the edge of the rough rib. Today the suppliers cut the rib stock narrower and sell the binding as a separate item.

Not only is the older wood more difficult to come by, but the sellers cut the stock smaller. So anyway, when a repair guy or maker sees an older Indian Rosewood guitar that has nice striated wood with good grain from side to side and no transition to slab cut wood it means old nice wood. Also once in a while a one piece back pops up or even a slab cut back that has beautiful markings. So much harder to find today.



Does that clear up any misunderstandings?




El Kiko -> RE: Should I sell my classical guitar? (Feb. 2 2016 12:08:37)

Should I sell my classical guitar?


No




Ricardo -> RE: Should I sell my classical guitar? (Feb. 2 2016 18:50:21)

quote:

Does that clear up any misunderstandings?


You know, a picture or two would be nice, but I get it. Guess I have yet to see young cheap crap purple Indian Rosewood.




estebanana -> RE: Should I sell my classical guitar? (Feb. 2 2016 23:35:31)

quote:

You know, a picture or two would be nice, but I get it. Guess I have yet to see young cheap crap purple Indian Rosewood.


I don't have any, because I don't buy it. But I have nice Madagascar...and old Indian, bwahahahahahahaa



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Sr. Martins -> RE: Should I sell my classical guitar? (Feb. 2 2016 23:58:35)

Before this gets weirder...

https://www.google.co.uk/search?q=indian+rosewood&source=lnms&tbm=isch&sa=X&ved=0ahUKEwi2raHHsdrKAhVBXw8KHdyyBUoQ_AUIBygB&biw=1366&bih=677




Leñador -> RE: Should I sell my classical guitar? (Feb. 3 2016 1:37:22)

That old Indian is amazing looking!!




estebanana -> RE: Should I sell my classical guitar? (Feb. 3 2016 1:58:19)

The old indian is on the back strip of the blanca, the cutaway is Madagascar Rosewood.

My point was really just long winded and stupid. Guitar makers and repairers see old guitars with beautiful Indian rosewood and lament that there is a dearth of high quality Indian around these days.

Guitar makers like me are just uber nerds who go deep into real esoteric stuff, because it's what we do. Press the talk button and out comes a 30 minute discourse on The History and Manufacture of Venetian Blinds and its Relative Effects on the Development of Interior Decoration in America from 1900 to the Present Day.

It's just the way guitar makers are wired, I think.




Leñador -> RE: Should I sell my classical guitar? (Feb. 3 2016 2:21:31)

quote:

The old indian is on the back strip of the blanca, the cutaway is Madagascar Rosewood.

Hah, then the Madagascar rosewood is amazing.

quote:

he History and Manufacture of Venetian Blinds and its Relative Effects on the Development of Interior Decoration in America from 1900 to the Present Day.

Now you're talkin my language lol House bull crap I can just ramble on.




estebanana -> RE: Should I sell my classical guitar? (Feb. 3 2016 7:32:03)

quote:

quote:

he History and Manufacture of Venetian Blinds and its Relative Effects on the Development of Interior Decoration in America from 1900 to the Present Day.

Now you're talkin my language lol House bull crap I can just ramble on.


If I make to LA this year the beers are on me..blah blah blah




HemeolaMan -> RE: Should I sell my classical guitar? (Feb. 3 2016 14:40:54)

Pics of old indian rosewood







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Ricardo -> RE: Should I sell my classical guitar? (Feb. 3 2016 17:54:43)

So far nothing helpful to ME. Is there no decisive CRAP PURPLE Indian Rosewood I can see on a guitar...with Finish on????




keith -> RE: Should I sell my classical guitar? (Feb. 3 2016 18:21:13)

Stephen, correct me if I am incorrect. As I understand it, the new growth of Indian Rosewood has a lot of purple streaks whereas the old growth has less and the new growth is not as good, guitar wise, as the old growth? If this is correct then it would make sense the wood you mentioned is from immature trees and a lot of the new growth is showing up on wood used for guitars. I have used Indian Rosewood cut into turning blanks and therefore cannot really discern if the purple streaks I see when I cut into the wood is from the new growth section. I do know that with time the purple turns brownish-black.




estebanana -> RE: Should I sell my classical guitar? (Feb. 3 2016 22:02:33)

Keith, yeah the purple turns brown when it eventually oxidizes.

The thing I'm getting at here is wood quality and for a player with the end product you may not get the picture because you don't really handle raw wood sets and compare how they work under the tools.


I'll try again, larger older trees are bigger in diameter and give the sawyer more choice of where to take the wood which renders the best flitch cut lumber. A flitch is a sawn log stacked in the order in which it was cut.

Younger tree small diameter trees offer less premium wood simply because they are smaller after they are rough milled. On a smaller tree the sawyer may have to take pithy less desirable wood near the bark, that often can get into the wood layers near the out side of the tree that are less mature and less desirable for backs as sides.

When logs are purchased in India for processing the saw mill has to cut the logs down and if the buyer chooses smaller younger trees which will be smaller in diameter the saw yer will have to make that work and will take wood that in a larger tree would otherwise be sub par.

That smaller log cut into a flitch may not be premium wood, but good enough to make guitars. The new growth wood in the small trees is often much less desirable for guitar making, but because the buyer bought for a certain price they will make it work.

In larger older trees the core wood not in the center nor at the outside of the tree is usually the best wood. It is also more rare and costs more.
It is also probably difficult to tell from sub par wood unless you have someone show you raw sets in person and point out the difference in feel, hardness, grain direction, run out and look, etc. There is also handing bridge blanks, they are not all the same, and some wood that is less mature and more pithy or is from new growth wood near the outside of the tree is less desirable, if at all suitable.

Older trees means better wood in most cases. Guitar makers who handle raw wood can spot better wood from bad wood, and older less coslty guitars often have fantastic wood that today would be kind of expensive.

This is some good Indian, not flashy, but clean and straight with even grain and no transition to flat grain in the wider bouts. I may have a back that has been cut from a smaller tree, but I cut it up for headstock plates as I won't use crap Indian on back. I pay for the better grades.



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DavRom -> RE: Should I sell my classical guitar? (Feb. 3 2016 23:37:25)

trees are awesomely cool and vary to the same extent that people do, even within the same genus

otherwise your guitar would sound like mine. how boring would that would be?!




Cervantes -> RE: Should I sell my classical guitar? (Feb. 4 2016 16:38:20)

Here is mine.
And I am going to sell it.

I think it is just common sense that old growth trees yield better wood whether its for guitars or furniture and it is becoming more scarce or extinct. So today we have a lot of wood coming from plantations where tress grow fast and are harvested young, but can still make good guitars I think.



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chester -> RE: Should I sell my classical guitar? (Feb. 5 2016 1:00:42)

For what it's worth - you may be really into flamenco NOW. It's new and exciting and all that. Who knows if a few years down the line you're going to want to bust out with a sor etude or capricho arabe.

If you have an emotional attachment to the guitar you're going to regret selling it later, if it's just a tool then whatever.




Cervantes -> RE: Should I sell my classical guitar? (Feb. 5 2016 16:31:03)

quote:

ORIGINAL: chester

For what it's worth - you may be really into flamenco NOW. It's new and exciting and all that. Who knows if a few years down the line you're going to want to bust out with a sor etude or capricho arabe.

If you have an emotional attachment to the guitar you're going to regret selling it later, if it's just a tool then whatever.


That is possible but not likely as I have had it since 2004 and not played it much.
I don't really even like listening to classical guitar whether its John Williams or whoever.
I have also decided to upgrade to a new flamenco and that won't be possible without selling this one.




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