johnnefastis -> Is there a logic to this Arpeggio (Aug. 25 2015 15:52:34)
I am just figuring out this great Moraito Arpeggio falsetta.
Starts at 0:10
I think I have worked out the notes and phrasing but his fingering seems pretty strange.
Sometimes he uses m and P to lead the Arpeggio then i and P.
To me it seems easier just to to use A with P both Appoyando but I am wondering if its worth trying to get it right and study it carefully or just accept it as a Moraito quirk ?
I have seen other players use A and I to start a downwards arpeggio and never quite got why, it seems awkward.
Thanks
johnnefastis -> RE: Is there a logic to this Arpeggio (Aug. 25 2015 21:47:48)
So this is the tab for the first section. I think its roughly right. The weird thing is how he use i and m to pick out the melody but then carries on with the arpeggio ending up with combinations with things like i i m m.
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Cervantes -> RE: Is there a logic to this Arpeggio (Aug. 25 2015 22:36:11)
I don't know too much, but Moraito was from Jerez and I have read there is a certain style of toque from that area which might explain the fingering.
Ricardo -> RE: Is there a logic to this Arpeggio (Aug. 26 2015 17:15:15)
No it's not right. You missing a pull off make the m-i/p
later you notice he has a held note from (a) finger on G then because there is a pause he uses i m/P as you wrote...but again the same not a carry on ami ami i m...no it's again that pause from a and reach with i.
But he repeats the entire falseta and the second time he DOES the ami ami ami but reverses the fingers so its m then i/P together
So the logic is this...with a pause on third a finger note he does i m/p....when there is no pause he does m i/p
johnnefastis -> RE: Is there a logic to this Arpeggio (Aug. 26 2015 22:11:15)
Thanks Ricardo,
Total forensic stuff as ever. Now I can see the logic I think I will go away and work on that. I guess digging in with the i and m where he does is what gives it that sound.
