estebanana -> RE: A simple measurement rig for string tensions (Dec. 20 2014 13:00:40)
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I like your feel for ornamentation. You save it up for the end of the line, and it's fresh sounding. The Courante feels bit a muddly, it can be untangled a bit I think. Some phrases feel rushed together and that makes them not as clear as they could be. But other that four thumbs up. I mean the Courante is good, but a couple places it could have more space. The Allemande has the breathing, you take a couple pauses in good places and also in the Prelude the pauses are real good. Many cellists don't take that long, but I like the space it s effective at setting up for the next run. I'm going to try to use the pauses more in the Prelude and see what happens. One thing about the first half of the Prelude, the chords get played in sets of twos and I have been hearing them as something like a little dialog and grouping them together. Two chords talk about something then two more chords talk, then two more, then a run to the next group of chords. The chords speak, then two more then two more then another scale connection. Do you feel them that way at all?
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