Ricardo -> RE: Alegrias in C (Sep. 16 2014 14:57:28)
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quote:
Or the Abm7 equivalent? First of all, it's proper to say "G#m7" due to the key signature. What happens is if you capo up 4 frets and play in C major, you are playing actually in E major relative to an instrument with no capo. So you have to reverse engineer all the chord progressions and falsetas you have in E by going down 4 frets (or down a major 3rd interval). So your G#m7 is now Em7 (in C). Your F#m7 will be Dm7, C#m7 would be Am7, your C->B7 type half-step move will be Ab->G7, F#7-B7 becomes D7->G7, etc. As mentioned C minor silencio is odd but Paco did it, and I read but never heard supposeddly there is a version by Sabicas. Silencio doesn't reall have to be in C though you can modulate to Am for example but have to resolve back to C somehow. In any case if I play with another guitarist for baile, I might choose to play in C with capo 4 frets higher than the other guy, it's a nice sound together. Ricardo
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