Sobrinos de Santos Hernández (Full Version)

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mgsamuel -> Sobrinos de Santos Hernández (Dec. 6 2013 23:11:27)

Dear all,

I am intrigued with a guitar I purchased not too long ago. It is a Santos, Sobrinos de Santos Hernandez, probably from the 1960/1970's. It has a distinct soundboard of redwood or African blackwood. A friend from Madrid related to luthiers said it looks like one of the flamenco experiments from Feliciano Bayon. The reputed James Greenberg from Zavaletas told me it is an outsourced guitar from Bayon's old shop in Aduana 23. In Dr. Greenberg's opinion, it is a nice but fairly common guitar. What surprises me the most is the sound and playability of this guitar which blows away by far all my other guitars, notably a Bernabe M20 and a Hanika PF60. Strange...
I would appreciate any comments, notably for those who possibly may have some clues. I attach some pics of the guitar. Many thanks! Manuel




C. Vega -> RE: Sobrinos de Santos Hernández (Dec. 7 2013 0:12:34)

James Greenberg is most likely correct. This is either an outsourced guitar sold by Feliciano Bayon (1922-1997) through his shop, which was also Santos Hernandez' shop, or possibly a production guitar into which someone glued one of Santos Bayon's business cards as a "label".
Feliciano made some nice guitars but they have a different headstock crest, a different label and there are several other aspects of your guitar that say it was not actually made by Feliciano.
Feliciano was not a blood relative of Santos Hernandez (1874-1943) but rather was married to Esperanza Ruiz, a niece of Santos' wife Matilde Ruiz Lopez and inherited the shop from Matilde when she died in 1955. Feliciano died in 1998 and the shop was taken over by his son Santos Bayon who labeled his guitars Santos Bayon-Sobrino de Santos Hernandez. Santos Bayon also sold outsourced/factory guitars in addition to his own.
Both Feliciano and Santos Bayon were competent guitar makers but they certainly capitalized on the Santos Hernandez name. Neither of them ever received any training from Santos Hernandez. Feliciano Bayon was a self-taught maker and quite possibly never met him (he didn't marry Esperanza Ruiz until several years after Santos H. had died) and Santos Bayon (b. 1951) wasn't born until 8 years after his death.
Santos Bayon retired a few years ago.

The soundboard of your guitar may be redwood (Sequoia sempervirens) or Western red cedar (Thuja plicata) but it is most definitely not African blackwood. African blackwood (Dalbergia melanoxylon) is a hard, heavy and dense member of the rosewood family and while used for guitar backs and sides on occasion (it's also very expensive) it is not used for soundboards.




mgsamuel -> RE: Sobrinos de Santos Hernández (Dec. 7 2013 17:23:49)

Hi C. Vega, thanks for your insight, especially from someone that, oh boy, knows what he is talking.
You are very right. Just like Dr. Geenberg (in his case he had personally often been in Aduana 23 workshop). But let me tell you that the person from Madrid that I mentioned is the grand son of Pablo Castillo who had a small shop in the Calle Tres Cruces. Apparently Castillo worked for Marcelo Barbero and later ro Feliciano Bayon, notably in selecting and purchasing woods in the 1960's. This gentleman says that it is very likely that his grand father could jave been involved in some projects with Bayon and that this guitar could be related to one of those projects. But Bayon wouldn´t sign such a guitar because he wanted no interference with his mainstream guitars. He also said that his grand father was constantly looking for uncommon woods, seeking for the "holy grail" soundboard. Also, this guitar has no middle strip in the back which could be one of the techniques his grand father used to try to improve the velocity of the sound. I am no expert. At the end of the day this is definitely not a master signature guitar but, whatever the case may be, it has a strange build, it is relatively heavy (could it be African black wood?), a fabulous sound and an extremely quick playability. The ebony fingerboard is as agile as I have never seen before (well, I have never played a Hauser 1, neither a S. Hernandez, nor a Esteso or Fleta for that matter). But, C. Vega, thanks again! Greetings from sunny Panamá City!




mgsamuel -> RE: Sobrinos de Santos Hernández (Dec. 7 2013 17:27:21)

Sorry C. Vega , I wanted to say, could it then be western red cedar? possibly...
Thanks again!
Manuel




mgsamuel -> RE: Sobrinos de Santos Hernández (Dec. 7 2013 17:47:02)

But still, not disputing your assessment...I have been inspecting the color and the texture of the soundboard of this guitar and I've been crossing information from other sources and the fact is that this guitar looks very much like the all African blackwood Bellucis...
Well, I am going to get hold of a specialized wood supplier.
Thanks again!




jshelton5040 -> RE: Sobrinos de Santos Hernández (Dec. 7 2013 18:19:40)

Looks like Western Red Cedar to me. There is a very heavy tint in the finish.




keith -> RE: Sobrinos de Santos Hernández (Dec. 7 2013 20:08:21)

african blackwood is pretty dense--i have used it as a substitute for ebony for turning. i did not know barbero had any workers working for him other than arcangel and marcelo jr.




mgsamuel -> RE: Sobrinos de Santos Hernández (Dec. 7 2013 21:44:40)

I cannot answer that Keith. From what I've understood, Castillo dealt with wood and was involved in some guitar making projects; and, apparently, supplied wood to Barbero and later to Bayon. Maybe he was one of those who produced some guitars, such as the one in the photos, which were sold under Bayon's shop label. This is what I am trying to find out and hence my research. But its all oral testimonies.




C. Vega -> RE: Sobrinos de Santos Hernández (Dec. 7 2013 21:54:34)

I have a rather extensive reference library of material on guitars, makers and related topics and I can find no mention of anyone named Castillo, Pablo or otherwise, working in Madrid at any time either as a guitar maker or a materials supplier.




mgsamuel -> RE: Sobrinos de Santos Hernández (Dec. 7 2013 22:34:56)

I have an oral testimony from someone from Madrid; but maybe the testimony is not accurate on which case I have a guitar labeled from Bayon's shop which is not a Bayon and has an undisclosed origin. It is a relatively cheap guitar, arguably outsourced, which sounds amazingly and has a phenomenal playability...this being the reason of my curiosity. If it was outsourced, where could it come from? There is another person I have heard of from Madrid who has a later model from Bayon's shop exactly the same like mine (though with a different soundboard). Would your extensive library, dear Vega, give us any hint on from who was Bayon outsourcing these guitars?




mgsamuel -> RE: Sobrinos de Santos Hernández (Dec. 7 2013 22:57:02)

I have been playing guitars for almost 50 years now. I have played hundreds and I collect some. I buy and I never sell. Like pianos. Again, it could be that Bayon was simply outsourcing from the cheap guitar factory down the road. Possibly..., the guitar looks relatively simple, maybe with a western red cedar top or a European spruce top with a dark amber shellac finish. So... factory made with such a sound and fingerboard speed? Sorry folks, it may be, but sounds funny. Again, this being the reason of my curiosity otherwise I would never bother you and I would never loose my time looking for information about this guitar.




C. Vega -> RE: Sobrinos de Santos Hernández (Dec. 8 2013 0:00:24)

No, I can not tell you specifically where or from whom Santos Bayon sourced his guitars. Sorry about that. Bayon was a minor figure in the history of guitar making and there just isn't all that much information out there about him. Perhaps James Greenberg can give you some contact information for his son Santos Bayon. Greenberg used to sell his guitars on occasion.
The fact remains, however, that what you have is a guitar that most likely was made in one of the numerous factories and smaller production workshops in and around Valencia. These operations usually make and sell guitars under their own labels but also build guitars for other shops. Sometimes they are made to the buyer's specifications as are some of the models that Ramirez offers and sometimes they are simply re-labeled production offerings with perhaps a different rosette or headstock design if the order is large enough to warrant a production change. Currently, guitar manufacturers like Alhambra, Raimundo, Esteve, Saez and numerous others offer these instruments but there have been manufacturers doing this since at least the early years of the last century. The Ramirez archives in Madrid has invoices from the Valencian firm of Telesforo Julve to Jose Ramirez I dating from around 1920 for wood, tuning machines, cases, etc. as well as finished guitars, bandurrias and laudes.

Nearly every guitar shop in Spain sells outsourced/factory guitars. Some are very up front about it, others are not but either way, they are out there in very large numbers and have been for a long time. To say that 95% of the guitars made in Spain are this type of instrument is probably a very conservative estimate. The Alhambra factory alone produces nearly 50,000 instruments annually.
It's hardly worth getting all upset about it unless you paid a large amount of money for it.

That fact that your guitar happens to play well and sound good is a plus for you but it's not all that unusual. Many of these guitars are actually rather nice instruments.

I'm not trying to put down your guitar or give you a hard time but rather I'm just calling it as I see it and stating a few simple facts. You asked for comments, clues, etc. and I gave you mine. You can choose to believe it or not, that's up to you, but I refuse to get into a childish pissing contest over it. You can do whatever you wish with the information.

I've already wasted way too much time on this thread.




mgsamuel -> RE: Sobrinos de Santos Hernández (Dec. 8 2013 3:41:49)

Thank you so much C. Vega for your kind and valuable information. So it could be any factory Bayon was dealing with. And there were many. Maybe Bayon's sun has some clues. Thanks again and sorry for the loss of your time. All the best and carry on with your great comments! Manuel




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