Richard Jernigan -> RE: paracho (Jun. 22 2013 15:18:43)
|
I was last in Paracho in December 2006. I visited Carlos Piña, the Rubios, Francisco Navarro, Salvador Castillo, Arturo Huipe and Abel Garcia. Huipe was the only one who had a first quality guitar available to play. I ended up buying a cedar/cocobolo "Fleta" model for $1800. I would say it is on the borderline between a top end student model and a concert guitar. It is loud, has a good tone, but not as much tonal range as a concert classical. At Castillo's shop I ran into an American pro flamenco player from Chicago, and his cajon player. He was there to pick up a blanca he had ordered from Castillo, on the recommendation of Richard Brune. He planned to install electronics for gigging. We played the new guitar a bit. It was a good guitar, but didn't really excite me. The front of Castillo's shop opens onto the main drag, and it's not the best place in the world to be trying out a guitar. Garcia had no guitars available to play, he said at first. I finally wheedled him into letting me play the short scale spruce/Brazilian he made for his daughter. I had heard Carlos Bernal, the Mexican classical player who teaches at a conservatory in Switzerland and concertizes in Europe on a Garcia guitar. I ended up calling Garcia the next day, and went back to order a spruce/Brazilian classical. I waited 2 1/2 years and paid $4,500. Trilogy guitars in Los Angeles is asking $8,000 for Garcia's instruments these days. My Garcia is world class. I play it as much as I do my '73 Romanillos. The Romanillos is a better guitar, but not by a huge amount. Garcia studied with Romanillos, attending his course in Spain twice. The top class luthiers in Paracho, Navarro, Castillo and Garcia are like their peers the world over. It is probably unlikely that you will find one of their best guitars on a casual visit to their shop. In fact you probably won't even get in the door at Garcia's. They have a full list of orders, and their best instruments get shipped out as soon as they are finished. But a visit to Paracho can be fun, if you don't get killed or kidnapped. You won't find anywhere else where there are as many guitar makers in one place. The output ranges from junk to world class, with all degrees in between. I might, or might not, take another trip to Paracho in the near future. I speak Spanish fluently, and have travelled all over Mexico for more than forty years. But I wouldn't take responsibility for taking anyone else with me, and I certainly would not recommend traveling in Mexico at present. Things can be going along just fine, and then suddenly the sh1t hits the fan. RNJ
|
|
|
|