Ricardo -> RE: ras question (Mar. 9 2013 18:14:59)
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Look, the "marote" triplet was developed just for people like you. You can use the triplet version for EVERYTHING, no joke, but there is actually a quadruplet verion, all of em just have your index sticking out un used. p up, am (together) down, P down,.... repeat You can make any rhythm with that. Here some examples: Gallop for tangos or sevillanas etc (always p is up, P is down). Tangos= P down with golpe, pause, p -am-P...p-am-P....p-am-P p, (1 &ah2,&ah3,&ah4 &,) Sevillana/fandango= P (golpe) p-am-P...p am P p (1&ah2&ah3 &) Famous triplets p am P, p am P, p am P, p..... (7&ah,8&ah,9&ah,10), starting up in buleria remates for example. Alegria solea por buleria= p am P p, am P p am, P i up i down etc -> (1e&ah,2e&ah, 3 &, etc...) You just get it going at whatever spin you need start on any stroke you want, let it end up on whatever stroke it doesn't matter so long as you keep compas going before and after. It is super versitile. Here is the quadruplet: p up, a down, m down, P down. YOu can involve e for 5 tuplets if you want in similar manner, never using index. The big problem is the normal grooving usage for i (up and down) is super important and hard to avoid when playing compas. You can see vids of Nuñez since 2010 to see how he makes do with minimal usage. Lots of wrist just up and down instead. But for sure for fast stuff with rasgueado you can't do better then that marote abanico. ricardo
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