Ricardo -> RE: Soleares .... Norman? (Sep. 2 2012 17:18:06)
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quote:
ORIGINAL: John O. I've been checking out the soleares structures on Norman's website, which is great by the way! Initially checking out your site I had one question in mind, I've accompanied this sung por soleá, relatively slow: E-------------------Am Una escalera de vidrio ----------------------C-B7 ay, por una sube la pena -----------F----------------E por otra baja el martirio ----------------------C-B7 ay, por una sube la pena -----------F----------------E por otra baja el martirio So this would be an ABC-BC, but you don't list VI-V7 as typical soleá accompanyment. So could this just be considered an uncommon personal interpretation by the singer or is it a solea por buleria sung as a soleá, or a soleá por bulerias por soleá, so to speak? [:D] Or am I splitting hairs? I am imagining the melody in my head, and I would say it's personal, the melody of the first line would be helpful. Are you positive the "cambio" is like that and not normal G7, or G7-C? I assume the singer lands an F# and that's why you want those C-B chords...if it's NOT F# the singer sings, you might suposed to be playing good ol G7 like a normal solea cambio. ANother reverse cambio I have had to acompany a lot I did not notice as a standard style and think a personalized variant is the cambio that the singer sings (as per your example) a Bb note on the B verse, so you do C7-F....then resolve as normal F-E. So knowing whats the FIRST line melody will probably get at what style the solea or buleria por solea etc, is based on. Ricardo
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