Anders Eliasson -> RE: Building violin no. 1 (Dec. 5 2012 8:42:56)
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I'm liking the sound - nice and even on what I heard - need some notes on the G and up the fingerboard too - they will develop as time goes on but always good to try all the different parts to check the colours. I'd be happy with this if it was me. Well done. I think that it will project well too but to judge you will need to get someone else to play and you stand at the other end of the room. Thanks. Its nice to get some feedback. The sound will change with varnish on. Its difficult to say to much about the sound at this stage. The same goes for guitars without finish. The violin should get better with varnish on. Some of the reverbation will most probably be more controlled. Now the tone is big and open and maybe a bit to disoriented. I will take it to an Irish session in a bar, leave it with some of the other players and stand back and listen. This violin I´ve made for myself and its going to be used mainly as a fiddle, playing folk, blues and other rythmical stuff. I know what kind of sound I want but I have very little experience on how to get there. Standard concert classical violins can be very "tight" or "tense" in the sound and they are not always the best for playing what I play. They can be difficult to relax on. But they work well with big orchestras. The very best violin I´ve ever played was an true Jacob Stainer (very expensive). It was so open, sweet and charming. Perfect for barok music, Mozart and Irish fiddle music. But maybe its to much to hope for a sound like that.[8D] I´ve built this violin close to the thin and light limits and the box is tuned half a note lower than standard. If violins have anything to do with flamenco guitars, this should mean less tense and more relaxing. When its been varnished we´ll know more, and within a year or so, we´ll know some more. The process has been fantastic and its notgoing to be my last violin.
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