Ricardo -> RE: The young El Payo Humberto! (May 14 2012 14:03:05)
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ORIGINAL: kudo i personally think his accompanying is not correct/accurate and also in terms of chord changes in there I only watched granaina so far and he was dead on, although his guitar was a bit out of tune and he kept trying to fix it. I felt the singer changed the melody a bit to give more clear guide tones which I think is wrong as per tradition, but the guitar accompaniments were correct. I assume you guys mean the other cantes so I will take some time to check. Ok Solea de Triana, tough stuff, but he was right with him all the way. Ok, Taranto he does F# for first line then responds D7. It's ok, though most others touch on G, or go right into D or D7. It's totally deliberate though and he is totally with the singer which is what is important. The next cante is Levantica I think, and dead on accompaniment. Malagueña DEAD on. (for you nerds with an ear, when the singer gives the 7th of V the guitar responds to I chord. EXample he sings Bb and the guitar goes to F. That is the way most malagueñas are, and Taranto is similar.) Need I check the rest? I will.... Ok tango piyayo no problem, colombianas too, 2 chords easy stuff. Caña was good. Fandango next to last vid was fantastic, he is lucky to have such a complete cantaor to work with. And he plays well, he really knows the cante. The buleria was good too. The only thing I did not like was his treatment of compas in the Alegria/cantiñas but every thing else is pretty exemplary. I recommend instead of critic this guy Kudo you actually do your best to learn from this, it's pretty clear he knows his stuff. Ricardo
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