Ricardo -> RE: Gerardo Nuñez - BACK in Business!!! (Mar. 30 2012 16:23:45)
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I hate digging up the past but couldn't help it when I saw this this morning. Now as Deniz said, some of us are close to Gerardo so we know he never dissapeared from the scene. He has been dealing with adapting to this injury since 2008 and now 4 years later he is in the same situation, that being about 90% of his repertoire is not playable and he has been concertizing like crazy with the more traditional format. Of course he loves to play this way too, an absolute pro at delivering the goods without letting average folks know there was ever an issue. But he plays the same handful of pieces at each concert for some years now. It is disturbing to someone like me who has been close to him for years. On one hand its great he is delivering great shows and getting great reviews even in Jerez...but still... some years back I was defending Gerardo's teaching playing and composing when he was on top of his game. General opinions were that he was "all technique" no feeling yada yada, his music was not flamenco or his compositions had no compas, and that he was against the concepts of "just a voice and guitar" meaning, traditional accompaniment of cante, and not "jerez" enough. Sorry to dig up an old topic, if anyone care to read, this was a back and forth of myself and Estela here the same reviewer of this Jerez concert: http://www.flamenco-teacher.com/forum?do=archive&page=art&dispt=35535&disp=35585 the response: http://www.flamenco-teacher.com/forum?do=archive&page=art&dispt=35535&disp=35608 and more in a different thread: http://www.flamenco-teacher.com/forum?do=archive&page=art&dispt=35713&disp=35848 So now that gerardo has lost his technique it seems his compas is more recognizable and traditional... not by choice. It actually makes me ill...sorry guys. [&:] On a positive note he is on facebook loading some nice short clips every once in a while...for example doing an arp mixed with picado exercize that made us all very hopeful that he is continually working on getting back what he once had. But in concert he is not putting that on display and playing it "safe" so to speak. The day he plays Trafalgar in concert will be the day I will be sleeping better about this issue. Ricardo
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