vuduchyld -> RE: Need opinions EXTREMLY IMPORTANT (Feb. 25 2012 17:36:20)
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quote:
vuduchyld thanks for the clarification I have really no idea of the standards in the flamenco professsional aera. But I think for the majority of them it's very hard to earn alot of money. Of course they are stratifications and a few should received very high incomes for their shows. If I understand well, in Andalucia there are bunch of flamenco artists who live or have lived in kind of miserable conditions. Some big names who are struggling for a decent living. I heard these stories and complaining tons of times in interviews (via YT videos). Principaly coz the bigs festivals managment always hire the sames persons and let the others with scarces possibilities in terms of artistical incomes. So according to your definition of what is a professional I could easily claim that alot of Big flamenco names (including first class) would be out of the categorization. For the other side of your judgement, i can't say nothing... Sure if we compare kehati with Tomatito himself or with Grisha or with Nunez, he no longer has to wash the dishes in a restaurant I'm sure you are right. There probably are a lot of big flamenco names who do not earn a living playing flamenco. (Another great reason to get an effin' job.) My wife is good friends with a guy from Seville who sustained himself and his wife (a dancer) by playing flamenco guitar for many years. He did gigs, he recorded albums, he might have done a movie soundtrack, even. Made a good living. Would definitely fit the definition of professional, really, whatever the definition might have been. As the economy got worse in 2008 and 2009, the gigs got less frequent. Eventually, in 2010, I believe, he and his wife moved the the US because he couldn't make money in Spain. I think he might have played 2nd or 3rd chair with Jose Tanaka for part of a tour and I know he's done some of his own gigs in the States, but I'm not sure what he's up to these days. He's an incredible player, no doubt. But ultimately, Deniz is right. If it doesn't pay, you're not professional. If the market disappears and he has to wash cars for a living, that makes him a professional car-washer, not a professional guitar player, because washing cars is what he does as a profession. And if that market disappears to the point that Paco himself can't get paid, then Paco may be world-class or he may be the best in the world, but not a professional. It's no different from tiddlywinks or scrabble. Like flamenco guitar, it may take great skill to play world-class level scrabble or tiddlywinks, but if there isn't a professional circuit to support it, you couldn't very well be a professional. You couldn't earn a living.
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