aleksi -> RE: accompanying tientos (Feb. 17 2012 20:38:53)
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Thanks guys for taking the time to comment! Ricardo; you are right that maybe the arpeggio falseta was not the best choice for the escobilla but I chose this kind of falseta, because I thought dance class is a good place for practising because the infinite amount of repetition and originally this was not supposed to be performed. I really appreciate your advice so definately Ill see how I could move the melody with BbBbAA chords. quote:
I cant hear the guitar very well in some spots but I think your playing is ok, I'd like to see what you could do with a higher level cuadro. thanks elroby. Ill put the link here on foro when it will happen :) Btw. cool dancing on your homepage. I would also like to learn :) quote:
but want to say at this level it is important not to depart too much from traditional stuff. What i mean is when the dancers says she doesnt like your falsetas, then this worries me a bit because they sometimes invent their "own palos" to make it special. I see what you mean. I'm also not a biggest fan of too crazy modern art does flamenco. I like modern and traditional, but my material is mostly trad. quote:
Ha, very true. I wonder why she had you compose a long falsetta when the dancer didn't do much of anything during your playing oh, dont be too hard to my dancer [;)] [8D] Im not sorry at all, on the contrary Im happy I had to / and was able to do them. I gues she was just bored of the basic recycled material I had to offer or she wanted to help me to grow as a guitarist :), dunno. Plus I got paid for the classes so no problem. The dancers in the class were at different levels and I gues it must be difficult to deside what material is best for them.
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