quote:

ORIGINAL: Ruphus

Why was Robug´s tab file ignored?
His efforts on page 4 of this thread yield a beautifully looking tab file.
Only that for some reason the lower part of the sheet seems to be missing.

Robug, you there?
Can I have the complete .jpg please? And thank you for the nice work!

Ruphus

quote:



Part of the reason I started this thread was because this topic of chord voicing comes up often and there are some interesting left hand techniques you don't find in other guitar styles. "Andalusian hand Jive" estebanan called it once.

I have small hands and can grab this chord no problem even quick amidst some fast bass note falsetas etc., even my 670mm scale guitar no capo. The first trick to master is the half barre by bending the index first joint in a way to get the 4th,3rd and 2nd strings held with the top E string open. It's a matter of milimeters, most students will mute accidently the first string at first attemps. Next the pinky stretch is achieved by using thumb down very low behind the neck, the wrist almost straight and the elbow tucking quite close to your rib cage, in effect pointing your forearm back toward the headstock.

As some one said use of capo will make this chord more comfy.

quote:

ORIGINAL: estebanana

quote:



Part of the reason I started this thread was because this topic of chord voicing comes up often and there are some interesting left hand techniques you don't find in other guitar styles. "Andalusian hand Jive" estebanan called it once.

I have small hands and can grab this chord no problem even quick amidst some fast bass note falsetas etc., even my 670mm scale guitar no capo. The first trick to master is the half barre by bending the index first joint in a way to get the 4th,3rd and 2nd strings held with the top E string open. It's a matter of milimeters, most students will mute accidently the first string at first attemps. Next the pinky stretch is achieved by using thumb down very low behind the neck, the wrist almost straight and the elbow tucking quite close to your rib cage, in effect pointing your forearm back toward the headstock.

As some one said use of capo will make this chord more comfy.

Wow I had no idea I contributed some useful information to the chord thread that Ricardo approves of.

Mind boggling

quote:

ORIGINAL: devilhand

This is E major chord

0
5
4
6
7
0

Would you guys use this chord as final chord in Andalusian cadence in por arriba? Which F chord voicing would you choose? F barre in the 1st position doesn't sound right to me.