Jon Boyes -> RE: silent guitar for flamenco ? (Mar. 7 2005 19:41:03)
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ORIGINAL: Miguel de Maria When a known player and/or master writes a book, I am going to give him a lot more leeway as to his philosophies. After all-he has proven it by the fact that at least it works for him. But if someone writes a book who has not proven it by his performance, than his words are open to suspicion, I think. Isn't this reasonable? Ok, you've heard this from me before [;)] teaching and playing are different skills!! I think its rare to find a world class player who is also a great teacher. IMO, the greats usually have very little to say that is useful to people like us. What have Bream, Williams, Paco, Sabicas, to name just a few, contributed to pedagogy? People like Gerardo Nunez, or David Russel who actually do a lot of teaching and write tuition material are rare, IMO. BTW, Graf Matinez toured Spain as an accompanist, and is pictured in his books hanging out with Paco, Batista and Enrique de Melchor. He is pictured on stage with an ensemble he founded, accompanying Mariano de Delphina, Lela de Fuenteprado and Jose Fortes. Now I'm not saying is a class A accompanist, of course, but give him some credit! The value of his tuition materials should be judged by whether it works for the people that use it, rather than his status as a flamenco guitarist. Jon
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