rombsix -> RE: Accompanying cante and baile (Feb. 12 2011 21:54:06)
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quote:
It is ok to do a solo for whatever palo, be it dance or guitar, but you must understand that that solo is based somehow on the cante. For example, you can play the same falsetas for Alegrias as Romeras when accompanying, but if you did a guitar solo and wanted to call it Romeras, then you must do something melodically that is a direct nod to the cante melody of Romeras. Otherwise you can just call your solo "Cantiñas" or "Alegrias". This is something that Ricardo said in 2007 in a thread about "what determines a palo." The bailaor I'm collaborating with said he has this Romera he likes (by Carmen Linares, if I'm not mistaken), which he would really like to dance to. We have a singer that could theoretically sing this, and I'm expected to provide the guitar accompaniment. I don't really know how to accompany yet, and I know that he's throwing fancy stuff at me (by the way, he wants to do Aranjuez por solea now [:D]), but I'm just going with the flow to see where that will get me (probably nowhere, or somewhere bad [8D]), but still... Better than just playing solo guitar in my room. So, can anyone tell me what is distinct about Romeras? I am thinking of just copying the guitar accompaniment from the track note for note (as much as possible). That is probably what the singer is going to do (considering the closest to flamenco she is, is that she knows Spanish. She doesn't know compas, or anything! [:D]). That's all I have available now though... [8D][:D] Hilarious, I know, but humor me...
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