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Ricardo -> RE: Dani de Moron (Apr. 30 2010 12:27:22)
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quote:
If you had been playing in E (relatively) I bet you would have caught it which again brings up the question, does key matter?
I did do it in E (por arriba) the third and 4th posts, after I did Por medio. Probably I accompanied more or less the same, but overall it sounds different because of the key. EDIT (Ok I see what you mean like in the first letra I do resolve 4,5,6 to E in the Arriba example, where por medio I chose to let the Bb ring for those 3 beats.)
And so somebody else's upload accompanying the same cante would help better then talking about it. If my resolutions ever seem "late" it is because I am playing it very safe by following the singer rather then anticipating, because if you follow the long thread from the beginning, I was making a point to record after as few takes as possible, so not to make an "arrangement" for the singing, since in practice with live singer the art of accomp is about following, not working it all out. Hard to do when playing with a recording rather then a live person.
I think this cut was from the sabor de jerez 3 family collection (Morena, Zambo, Moneo mostly bulerias), but I am not sure. Anyway the guitar free track was loaded by Florian I think on page 8. It would be cool if you have the teacher do it, or show you specifically how he would accompany that track to produce a different "aire" then what I was doing, as a comparison. To be clear, that would mean uploading TWO different versions in the SAME key, one with aire of "solea" (right or wrong) and the other aire of Solea por buleria, showing they are different, yet same key and same tempo. I would not care if both uploads are Arriba or both are pro medio, but they need to be the same key in order to understand the subtle differences.
Ricardo
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