NormanKliman -> RE: Anyone want technique exercises? I have 304943934 (Apr. 12 2010 8:43:05)
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Ramzi and Mezzo, you've made me very happy!!! Just one thing about the p-i-m exercise: In the sixth measure, when you play the D/F# chord, the last note in that measure is an A on the third string. It works better if you fret that A with your middle finger because it will free your ring finger for the next note, which is a G on the sixth string (notice the little number "2" in the transcription). It might seem uncomfortable or difficult at first, but it's an easy move that fits smoothly into the rest of the pattern without compromising volume or momentum. The new site (www.canteytoque.es) is the one that I'm updating. The CTV site has been adrift since December and I'll eventually let it go. I've still got a lot of work ahead of me to replace all the crappy GIF images on the new site (including that alzapúa exercise, which, by the way, can be used for a bulería with toque de granaína), and I hope to get that done soon and upload some new material that I've been working on for the last few years. Thanks guys! Kris, that's an excellent idea, using the same chord progressions for different right-hand patterns. I play the Villalobos etude a little differently, but I've never seen the score so I don't know if my version is right. But I like the chords a little better my way, see what you think, if you like. The difference is after the A minor barred at the fifth fret. -0--0--0--2--0--0--5--5--5--7--0 -0--1--0--0--0--0--5--5--7--7--12 -0--2--1--2--0--1--5--7--5--8--10 -2--4--2--1--2--2--7--5--7--7--12 -2--3--2--0--2--2--7--7--6--9--11 -0--0--0--2--3--4--5--6--5--7--0 (Ends chromatically as you've indicated.)
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