Ricardo -> RE: Sanlucar (Gerardo Nunez) and other flamenco guitar courses in Spain (Jan. 28 2024 16:21:42)
|
Amigo, you go there and learn. Learn what? It is up to YOU what you need to learn. Most important for me was the first time I went, I had some chops already, but there were guys in class next to me that I could maybe out play, yet they were learning much much faster than me. This is what happened to Javier Conde. What we learn there is not just falsetas and compas, we learn HOW TO LEARN flamenco. It is a discipline and if you have not ever studied this art form in spain, it is something to get used to. After Gerardo’s accident, (loss of index finger control), the super advanced guitar technique thing was no longer part of the course as it had been. So why did I continue going? To be honest it is this same thing about learning flamenco, not just techniques. The inspiration is the main thing for me. I can’t get that in any other environment honestly. Gerardo opens that door to this exclusive, elite world of art and you are free to participate to whatever capacity you are able or desire. I am the one who started the Contratiempo thing, because I personal needed more than just the evening juerga. People started following me over to Raquel’s bar and we would continue the LEARNING process (and sharing or teaching to others). People who go to spain without a guitar, or don’t open their guitar case when the opportunity arises, are just afraid to learn the way I see it. The truth is, it does get exhausting. So even myself, who wants every last drop of the lemon that Gerardo has to offer at such a low price, I try to go to every class, hungover or not, but there might be one day I miss, sleeping in. It is still worth it. In fact it is SO inspiring to me, that I used to go to both classes. He stopped allowing me to have a guitar in the second class because he does not like if some people learn too quick and push the class. That is what he wants only in the advanced class….fast learning. So he can teach his own pieces. The lower level class is traditional fundamental material. Ironically, I realized from that class that I had MUCH MORE to learn about fundamental material of the tradition, than advanced stuff. So I sit in that class and learn with out my guitar (mental air guitar if you want) and go back to my hotel and practice that stuff. 90% of that material I have found useful in practical applications back home. Of course there are students that are not yet ready for even that basic stuff yet, and that is OK too. Again, learning HOW to learn flamenco is the main point. If there is no repetition class from Tino anymore, there are people there that will have it and you can learn it and practice it with them. It is not a game to try and make your 300 bucks count the most. Everybody has something to gain.
|
|
|
|