To Member jg7238 (Full Version)

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minordjango -> To Member jg7238 (May 30 2009 4:19:01)

El maestro ,

I think some of us like to know what your eating and or steroids used,?? just kidding , man like to know about your practice routine , how did ya get your LHand and scales going so well......a la paco de lucia, i watched la cumpasita about 20 times



michel -> RE: To Member jg7238 (Jun. 2 2009 1:34:20)

yes jg7238
i'd also like to know how you did for reaching sich a level, your high speed chord changes at the end are out of this world. do you have special practice advices for left hand technique?



minordjango -> RE: To Member jg7238 (Jun. 2 2009 2:27:47)

good work mike ,
We must get on his case !!! the arrangement has so many different styles, its a tour de force, man thats a great piece, pick up the woman with that one [:-]



michel -> RE: To Member jg7238 (Jun. 2 2009 6:59:04)

[:D] during my last week end practice sessions i felt the need to work more with scales again and scale-arpegio's over the whole neck and jump into the corresponding chords, then i saw jg7238's upload, well i felt approved [:D]. doing fast scale-moves over the fretboard is really hot, for all styles!



jg7238 -> RE: To Member jg7238 (Jun. 2 2009 15:20:53)

Hello everyone... I just want to start off by saying that I studied with the Venezuelan Guitarrist Ruben Riera and Carlos Barbosa Lima. To be honest, I do not have a set practice routine now, I just play. Maybe I'll do a scale and arpeggio pattern for very short time to warm up. But going back a few years ago I would start off with a book called Elements of technique for guitar by Barbosa Lima and John Griggs. It is a Mel bay edition. The book covers exercises for right hand development, such as arpeggios just using open strings; slur exercises (left hand). There are great exercises also using two lines in opposite movement, polyphonic studies, a chromatic octave study which is pretty cool. Then I would use one of Abel Carlevaro's scale books to practice scales both free and rest stroke which are really good. I would use I,M M,A, I,A alternating then starting with the alternate finger. I would play in triplets using different patterns such as IMA, AMI, IAM etc... I would finish playing in groups of 4 . I hope this helps in some way. Thnx and wish you all the best.



minordjango -> RE: To Member jg7238 (Jun. 2 2009 19:37:54)

cool amigo those players ar fine and also great composers, some pf BBL. arrangements are amazing.

the abel carlevaro books are very intense, all of those studies really prepare you to play well anything !!

excellent work amigo keep uploading[:)]



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